{"id":12441,"date":"2022-05-13T11:55:29","date_gmt":"2022-05-13T08:55:29","guid":{"rendered":"http:\/\/journals.khnu.km.ua\/vestnik\/?p=12441"},"modified":"2022-06-07T02:48:56","modified_gmt":"2022-06-06T23:48:56","slug":"formuvannya-nomenklatury-pokaznykiv-yakosti-dlya-proyektuvannya-tanczyuvalnogo-smart-odyagu","status":"publish","type":"post","link":"https:\/\/journals.khnu.km.ua\/vestnik\/?p=12441","title":{"rendered":"\u0424\u043e\u0440\u043c\u0443\u0432\u0430\u043d\u043d\u044f \u043d\u043e\u043c\u0435\u043d\u043a\u043b\u0430\u0442\u0443\u0440\u0438 \u043f\u043e\u043a\u0430\u0437\u043d\u0438\u043a\u0456\u0432 \u044f\u043a\u043e\u0441\u0442\u0456 \u0434\u043b\u044f \u043f\u0440\u043e\u0454\u043a\u0442\u0443\u0432\u0430\u043d\u043d\u044f \u0442\u0430\u043d\u0446\u044e\u0432\u0430\u043b\u044c\u043d\u043e\u0433\u043e \u0441\u043c\u0430\u0440\u0442-\u043e\u0434\u044f\u0433\u0443"},"content":{"rendered":"<p><!--more--><\/p>\n<p style=\"text-align: center;\">\u0424\u041e\u0420\u041c\u0423\u0412\u0410\u041d\u041d\u042f \u041d\u041e\u041c\u0415\u041d\u041a\u041b\u0410\u0422\u0423\u0420\u0418 \u041f\u041e\u041a\u0410\u0417\u041d\u0418\u041a\u0406\u0412 \u042f\u041a\u041e\u0421\u0422\u0406 \u0414\u041b\u042f \u041f\u0420\u041e\u0404\u041a\u0422\u0423\u0412\u0410\u041d\u041d\u042f \u0422\u0410\u041d\u0426\u042e\u0412\u0410\u041b\u042c\u041d\u041e\u0413\u041e \u0421\u041c\u0410\u0420\u0422-\u041e\u0414\u042f\u0413\u0423<\/p>\n<p style=\"text-align: center;\">FORMATION OF NOMENCLATURE OF QUALITY INDICATORS FOR DESIGN OF DANCE SMART CLOTHES<\/p>\n<p><strong>\u0421\u0442\u043e\u0440\u0456\u043d\u043a\u0438: 198-204. \u041d\u043e\u043c\u0435\u0440: \u21162, 2022 (307)\u00a0\u00a0<a href=\"http:\/\/journals.khnu.km.ua\/vestnik\/wp-content\/uploads\/2022\/05\/vknu-ts-2022-n2-307-198-204.pdf\"> <img loading=\"lazy\" class=\"size-full wp-image-69 alignnone\" src=\"http:\/\/journals.khnu.km.ua\/vestnik\/wp-content\/uploads\/2021\/01\/pdf.png\" alt=\"\" width=\"76\" height=\"32\" \/><\/a><\/strong><br \/>\n<strong>\u00a0\u0410\u0432\u0442\u043e\u0440\u0438:<\/strong><br \/>\n\u041f\u041e\u041b\u042e\u0425\u041e\u0412\u0418\u0427 \u0406. \u0412.<br \/>\n<a href=\"https:\/\/orcid.org\/0000-0003-0690-5188\">https:\/\/orcid.org\/0000-0003-0690-5188<\/a><br \/>\ne-mail: <a href=\"mailto:ir.poluhovich@gmail.com\">ir.poluhovich@gmail.com<\/a><br \/>\n\u0417\u0410\u0425\u0410\u0420\u041a\u0415\u0412\u0418\u0427 \u041e. \u0412.<br \/>\n<a href=\"https:\/\/orcid.org\/0000-0002-6542-9727\">https:\/\/orcid.org\/0000-0002-6542-9727<\/a><br \/>\ne-mail: <a href=\"mailto:zakharkevycho@khmnu.edu.ua\">zakharkevycho@khmnu.edu.ua<\/a><br \/>\n\u041b\u0418\u0421\u0415\u041d\u041a\u041e \u0421. \u041c.<br \/>\n\u0425\u043c\u0435\u043b\u044c\u043d\u0438\u0446\u044c\u043a\u0438\u0439 \u043d\u0430\u0446\u0456\u043e\u043d\u0430\u043b\u044c\u043d\u0438\u0439 \u0443\u043d\u0456\u0432\u0435\u0440\u0441\u0438\u0442\u0435\u0442<br \/>\n<a href=\"https:\/\/orcid.org\/0000-0001-7243-8747\">https:\/\/orcid.org\/0000-0001-7243-8747<\/a><br \/>\ne-mail: <a href=\"mailto:sprlysenko@gmail.com\">sprlysenko@gmail.com<\/a><br \/>\nPOLUCHOVICH IRYNA V, ZAKHARKEVICH OKSANA V., LISENKO SERGII M.<br \/>\nKhmelnytskyi National University<br \/>\n<strong>DOI:<\/strong>\u00a0<a href=\"https:\/\/www.doi.org\/10.31891\/2307-5732-2022-307-2-198-204\">https:\/\/www.doi.org\/10.31891\/2307-5732-2022-307-2-198-204<\/a><\/p>\n<p style=\"text-align: center;\"><strong>\u0410\u043d\u043e\u0442\u0430\u0446\u0456\u044f \u043c\u043e\u0432\u043e\u044e \u043e\u0440\u0438\u0433\u0456\u043d\u0430\u043b\u0443<\/strong><\/p>\n<p>\u0423 \u0440\u043e\u0431\u043e\u0442\u0456 \u043f\u0456\u0434\u0442\u0432\u0435\u0440\u0434\u0436\u0435\u043d\u043e \u0434\u043e\u0446\u0456\u043b\u044c\u043d\u0456\u0441\u0442\u044c \u0434\u043e\u0441\u043b\u0456\u0434\u0436\u0435\u043d\u043d\u044f \u0441\u043c\u0430\u0440\u0442-\u0442\u0435\u0445\u043d\u043e\u043b\u043e\u0433\u0456\u0439 \u0442\u0430 \u0440\u043e\u0437\u0440\u043e\u0431\u043a\u0438 \u0442\u0430\u043d\u0446\u044e\u0432\u0430\u043b\u044c\u043d\u043e\u0433\u043e \u0441\u043c\u0430\u0440\u0442-\u043a\u043e\u0441\u0442\u044e\u043c\u0443 \u0437 \u0434\u043e\u0434\u0430\u0442\u043a\u043e\u0432\u0438\u043c\u0438 \u0444\u0443\u043d\u043a\u0446\u0456\u043e\u043d\u0430\u043b\u044c\u043d\u0438\u043c\u0438 \u0432\u043b\u0430\u0441\u0442\u0438\u0432\u043e\u0441\u0442\u044f\u043c\u0438. \u041f\u0440\u043e\u0432\u0435\u0434\u0435\u043d\u043e \u0430\u043d\u0430\u043b\u0456\u0437 \u0432\u0438\u043c\u043e\u0433 \u0434\u043e \u0442\u0430\u043d\u0446\u044e\u0432\u0430\u043b\u044c\u043d\u043e\u0433\u043e \u0442\u0430 \u0441\u043c\u0430\u0440\u0442-\u043e\u0434\u044f\u0433\u0443. \u041d\u0430 \u043e\u0441\u043d\u043e\u0432\u0456 \u0430\u043d\u0430\u043b\u0456\u0437\u0443 \u0432\u0438\u043c\u043e\u0433 \u0434\u043e \u0432\u0438\u0440\u043e\u0431\u0456\u0432 \u0442\u0440\u0430\u0434\u0438\u0446\u0456\u0439\u043d\u043e\u0433\u043e \u0430\u0441\u043e\u0440\u0442\u0438\u043c\u0435\u043d\u0442\u0443, \u0442\u0430\u043d\u0446\u044e\u0432\u0430\u043b\u044c\u043d\u043e\u0433\u043e \u043e\u0434\u044f\u0433\u0443 \u0442\u0430 \u043d\u043e\u0441\u0438\u043c\u0438\u0445 \u0441\u043c\u0430\u0440\u0442-\u0442\u0435\u0445\u043d\u043e\u043b\u043e\u0433\u0456\u0439 \u0440\u043e\u0437\u0440\u043e\u0431\u043b\u0435\u043d\u043e \u043d\u043e\u043c\u0435\u043d\u043a\u043b\u0430\u0442\u0443\u0440\u0443 \u0432\u0438\u043c\u043e\u0433 \u0434\u043e \u0442\u0430\u043d\u0446\u044e\u0432\u0430\u043b\u044c\u043d\u043e\u0433\u043e \u0441\u043c\u0430\u0440\u0442-\u043e\u0434\u044f\u0433\u0443. \u041d\u0430\u044f\u0432\u043d\u0456\u0441\u0442\u044c \u0442\u0430\u043a\u043e\u0457 \u043d\u043e\u043c\u0435\u043d\u043a\u043b\u0430\u0442\u0443\u0440\u0438 \u0437\u0430\u0431\u0435\u0437\u043f\u0435\u0447\u0443\u0454 \u043c\u043e\u0436\u043b\u0438\u0432\u0456\u0441\u0442\u044c \u0432\u0438\u0437\u043d\u0430\u0447\u0435\u043d\u043d\u044f \u043a\u043e\u0435\u0444\u0456\u0446\u0456\u0454\u043d\u0442\u0456\u0432 \u0432\u0430\u0433\u043e\u043c\u043e\u0441\u0442\u0456 \u0442\u0430 \u043e\u0431\u0491\u0440\u0443\u043d\u0442\u0443\u0432\u0430\u043d\u043d\u044f \u043e\u0434\u0438\u043d\u0438\u0447\u043d\u0438\u0445 \u043f\u043e\u043a\u0430\u0437\u043d\u0438\u043a\u0456\u0432 \u0443 \u0441\u0442\u0440\u0443\u043a\u0442\u0443\u0440\u0456 \u043a\u043e\u043c\u043f\u043b\u0435\u043a\u0441\u043d\u043e\u0433\u043e \u043f\u043e\u043a\u0430\u0437\u043d\u0438\u043a\u0430 \u044f\u043a\u043e\u0441\u0442\u0456 \u0441\u0446\u0435\u043d\u0456\u0447\u043d\u043e\u0433\u043e \u0442\u0430 \u0442\u0440\u0435\u043d\u0443\u0432\u0430\u043b\u044c\u043d\u043e\u0433\u043e \u0442\u0430\u043d\u0446\u044e\u0432\u0430\u043b\u044c\u043d\u043e\u0433\u043e \u0441\u043c\u0430\u0440\u0442-\u043e\u0434\u044f\u0433\u0443.<br \/>\n<strong>\u041a\u043b\u044e\u0447\u043e\u0432\u0456 \u0441\u043b\u043e\u0432\u0430:<\/strong> \u0441\u043c\u0430\u0440\u0442-\u0442\u0435\u043a\u0441\u0442\u0438\u043b\u044c, \u0442\u0430\u043d\u0446\u044e\u0432\u0430\u043b\u044c\u043d\u0438\u0439 \u043a\u043e\u0441\u0442\u044e\u043c, \u0441\u043c\u0430\u0440\u0442-\u0442\u0435\u0445\u043d\u043e\u043b\u043e\u0433\u0456\u0457, \u043d\u043e\u043c\u0435\u043d\u043a\u043b\u0430\u0442\u0443\u0440\u0430, \u0432\u0438\u043c\u043e\u0433\u0438.<\/p>\n<p style=\"text-align: center;\"><strong>\u00a0<\/strong><strong>\u0420\u043e\u0437\u0448\u0438\u0440\u0435\u043d\u0430 \u0430\u043d\u043e\u0442\u0430\u0446\u0456\u044f \u0430\u043d\u0433\u043b\u0456\u0439\u0441\u044c\u043a\u043e\u044e \u00a0\u043c\u043e\u0432\u043e\u044e<\/strong><\/p>\n<p>Today, due to the rapid development of distance learning, there is a problem with the quality of education, including physical. Analysis of the level of injuries in choreography and gymnastics showed a high percentage of injuries to the lower extremities. To minimize the number of injuries and increase the professionality of dancers, developing a smart-clothing for dancing is necessary. Preliminary analysis of smart technologies in sports confirmed the need to use smart technologies to read and monitor the physical data of athletes during training. Still, it showed the absence of such technologies in dance. The advisability of research of smart technologies and the development of smart costume for dancing with additional functional properties is confirmed. An analysis of the requirements for dancing smart clothes there. Based on the analysis of dance and smart clothing requirements, a list of quality indicators for designing dance smart clothing was developed for further evaluation to determine a set of essential quality indicators for designing stage and training dance smart clothing.<br \/>\n<strong>Keywords:<\/strong> smart textile, dance costume, smart technologies, nomenclature, requirements.<\/p>\n<p style=\"text-align: center;\"><strong>\u041b\u0456\u0442\u0435\u0440\u0430\u0442\u0443\u0440\u0430<\/strong><\/p>\n<ol>\n<li>Orlando J. Electronic Textiles, Wearable Technology &amp; Smart Garments. What\u2019s the Difference? [Electronic resource] \/\/ Jamie Orlando \/\/ Butler Technologies Inc. \u2013 2019. \u2013 Resource access mode: https:\/\/butlertechnologies.com\/electronic-textiles\/.<\/li>\n<li>\u0422\u041e\u041f-12 \u0432\u0438\u0441\u043e\u043a\u043e\u0442\u0435\u0445\u043d\u043e\u043b\u043e\u0433\u0456\u0447\u043d\u0438\u0445 \u0441\u0443\u043a\u043e\u043d\u044c [\u0415\u043b\u0435\u043a\u0442\u0440\u043e\u043d\u043d\u0438\u0439 \u0440\u0435\u0441\u0443\u0440\u0441] \/\/ \u0414\u0435\u041f\u043e. \u2013 2014. \u2013 \u0420\u0435\u0436\u0438\u043c \u0434\u043e\u0441\u0442\u0443\u043f\u0443 \u0434\u043e \u0440\u0435\u0441\u0443\u0440\u0441\u0443: https:\/\/www.depo.ua\/ukr\/life\/top-12-vysokotehnologichnyh-platev-09092014135300.<\/li>\n<li>\u0417\u043d\u0430\u0439\u0434\u0456\u0442\u044c \u0456\u043d\u0444\u043e\u0440\u043c\u0430\u0446\u044e \u043f\u0440\u043e \u043d\u043e\u0432\u0456 \u0432\u043b\u0430\u0441\u0442\u0438\u0432\u043e\u0441\u0442\u0456 \u0441\u0443\u0447\u0430\u0441\u043d\u0438\u0445 \u0442\u043a\u0430\u043d\u0438\u043d [\u0415\u043b\u0435\u043a\u0442\u0440\u043e\u043d\u043d\u0438\u0439 \u0440\u0435\u0441\u0443\u0440\u0441] \/\/ \u0417\u043e\u043b\u043e\u0442\u0438\u0439 \u0441\u0442\u0443\u0434\u0435\u043d\u0442. \u2013 \u2013 \u0420\u0435\u0436\u0438\u043c \u0434\u043e\u0441\u0442\u0443\u043f\u0443 \u0434\u043e \u0440\u0435\u0441\u0443\u0440\u0441\u0443: https:\/\/zlotystudent.com.ua\/znajdit-informaciyu-pro-novi-vlastivosti-suchasnix-tkanin\/.<\/li>\n<li>Lesia trubat&#8217;s ballet shoes electronically trace the movements of dancers [Electronic resource] \/\/ Designboom. \u2013 2014. \u2013 Resource access mode: https:\/\/www.designboom.com\/design\/lesia-trubat-e-traces-ballet-shoes-phone-app-10-24-2014\/.<\/li>\n<li>\u041e\u0444\u0456\u0446\u0456\u0439\u043d\u0438\u0439 \u0441\u0430\u0439\u0442 \u043a\u043e\u043c\u043f\u0430\u043d\u0456\u0457 \u00abWondar Studios\u00bb [\u0415\u043b\u0435\u043a\u0442\u0440\u043e\u043d\u043d\u0438\u0439 \u0440\u0435\u0441\u0443\u0440\u0441] \u2013 \u0420\u0435\u0436\u0438\u043c \u0434\u043e\u0441\u0442\u0443\u043f\u0443 \u0434\u043e \u0440\u0435\u0441\u0443\u0440\u0441\u0443: https:\/\/wondarstudios.medium.com\/.<\/li>\n<li>\u041e\u0444\u0456\u0446\u0456\u0439\u043d\u0438\u0439 \u0441\u0430\u0439\u0442 \u043a\u043e\u043c\u043f\u0430\u043d\u0456\u0457 EtereShop [\u0415\u043b\u0435\u043a\u0442\u0440\u043e\u043d\u043d\u0438\u0439 \u0440\u0435\u0441\u0443\u0440\u0441] \u2013 \u0420\u0435\u0436\u0438\u043c \u0434\u043e\u0441\u0442\u0443\u043f\u0443 \u0434\u043e \u0440\u0435\u0441\u0443\u0440\u0441\u0443: https:\/\/www.etsy.com\/shop\/EtereShop.<\/li>\n<li>Zakharkevich O. Analysis of smart clothing range \/ O. Zakharkevich, N. Dik, I. Poluchovich. \/\/ Online magazine for Textiles, Clothing, Leather and Technology. \u2013 22. \u2013 No. 7. \u2013 \u0420. 166\u2013170.<\/li>\n<li>\u0421\u043e\u0441\u0456\u043d\u0430 \u0412. \u042e. \u0425\u043e\u0440\u0435\u043e\u0433\u0440\u0430\u0444\u0456\u044f \u0432 \u0441\u043f\u043e\u0440\u0442\u0456 : \u043d\u0430\u0432\u0447. \u043f\u043e\u0441\u0456\u0431. \/ \u0421\u043e\u0441\u0456\u043d\u0430 \u0412. \u042e. \u2013 \u041a\u0438\u0457\u0432 : \u041e\u043b\u0456\u043c\u043f\u0456\u0439\u0441\u044c\u043a\u0430 \u043b\u0456\u0442\u0435\u0440\u0430\u0442\u0443\u0440\u0430, 2019. \u2013 335 \u0441.<\/li>\n<li>Smart \u2013 not only intelligent!\u2019 Co-creating priorities and design direction for \u2018smart\u2019 footwear to support independent ageing. \/ T.Callari, L. Moody, P. Magee, D. Yang. \/\/ International Journal of Fashion Design, Technology and Education. \u2013 2019. \u2013 Vol. 19 No. 3 \u2013 P. 313\u2013324.<\/li>\n<li>Perry A. Exploring from creators\u2019 perspectives issues and solutions about knowledge, difficulties, and disposal in making smart clothing designs \/ Anna Perry. \/\/ International Journal of Fashion Design, Technology and Education. \u2013 2018. \u2013 Vol. 11 No. 1 \u2013 P. 129\u2013137.<\/li>\n<li>Dunne L. Beyond the second skin: an experimental approach to addressing garment style and fit variables in the design of sensing garments \/ Lucy Dunne \/\/ International Journal of Fashion Design, Technology and Education. \u2013 2010. \u2013 Vol. 3 No 3. \u2013 P. 109\u2013117.<\/li>\n<li>Koo S. Explorations of wearable technology for tracking self and others \/ S. Koo, K. Fallon. \/\/ Fashion and Textiles. \u2013 2018. \u2013 \u21165 \u2013 Article number: 8. https:\/\/doi.org\/10.1186\/s40691-017-0123-z<\/li>\n<li>Fashion inspiration and technology: virtual reality in an experimental apparel design classroom \/ [S. Starkey, S. Alotaibi, H. Striebel at all.]. \/\/ International Journal of Fashion Design, Technology and Education. \u2013 2021. \u2013 Vol. 14 No. 1. \u2013 P. 12\u201320.<\/li>\n<li>Perry A. 3D-printed apparel and 3D-printer: exploring advantages, concerns, and purchases \/ Anna Perry. \/\/ International Journal of Fashion Design, Technology and Education. \u2013 2018. \u2013 Vol. 11 No 1. \u2013 P. 95\u2013103.<\/li>\n<li>Wearable E-Textile Technologies: A Review on Sensors, Actuators and Control Elements \/ C.Gon\u00e7alves, A. Ferreira da Silva, J. Gomes, R. Simoes. \/\/ Inventions. \u2013 2018. \u2013 Vol. 3 No. 1. \u2013 13 p. https:\/\/doi.org\/10.3390\/inventions3010014<\/li>\n<li>Tolmachov V. Application of arduino-like systems for determination of physical and mechanical indicators of flax fiber \/ V. Tolmachov, A. Ryabko. \/\/ Fibres and Textiles. \u2013 2021. \u2013 Vol. 28 No. 2. \u2013 P. 91\u201398.<\/li>\n<li>Smart Clothing Framework for HealthMonitoring Applications \/ M.Ahsan, S. Teay, A. Sayem, A. Albarbar. \/\/ Signals. \u2013 2022. \u2013 Vol. 3 No. 1. \u2013 P. 113\u2013145. https:\/\/doi.org\/10.3390\/signals3010009<\/li>\n<li>\u041e\u0444\u0456\u0446\u0456\u0439\u043d\u0438\u0439 \u0441\u0430\u0439\u0442 \u043a\u043e\u043c\u043f\u0430\u043d\u0456\u0457 Arduino [\u0415\u043b\u0435\u043a\u0442\u0440\u043e\u043d\u043d\u0438\u0439 \u0440\u0435\u0441\u0443\u0440\u0441] \u2013 \u0420\u0435\u0436\u0438\u043c \u0434\u043e\u0441\u0442\u0443\u043f\u0443 \u0434\u043e \u0440\u0435\u0441\u0443\u0440\u0441\u0443: https:\/\/www.arduino.cc<\/li>\n<li>CES Google Xiaomi \u043a\u0440\u043e\u0441\u0441\u043e\u0432\u043a\u0438 \u043e\u0434\u0435\u0436\u0434\u0430 \u041c\u043e\u0434\u043d\u043e \u0431\u044b\u0442\u044c \u00ab\u0443\u043c\u043d\u044b\u043c\u00bb: \u0410\u043a\u0442\u0443\u0430\u043b\u044c\u043d\u0430\u044f \u0441\u043c\u0430\u0440\u0442-\u043e\u0434\u0435\u0436\u0434\u0430 [\u0415\u043b\u0435\u043a\u0442\u0440\u043e\u043d\u043d\u0438\u0439 \u0440\u0435\u0441\u0443\u0440\u0441] \/\/ Hi-Tech.UA. \u2013 2018. \u2013 \u0420\u0435\u0436\u0438\u043c \u0434\u043e\u0441\u0442\u0443\u043f\u0443 \u0434\u043e \u0440\u0435\u0441\u0443\u0440\u0441\u0443: https:\/\/hi-tech.ua\/article\/modno-byit-umnyim-aktualnaya-smart-odezhda\/.<\/li>\n<li>Sergeiko, Yu. Smart clothing: 8 examples from the future those are on the market. \u2013 2018. \u2013 Available at: https:\/\/mag.relax.ua\/gorod\/tema-dnya\/10486763-umnaja-odezhda\/.<\/li>\n<li>From a Technology That Replaces Human Perception\u2013Action to One That Expands It: Some Critiques of Current Technology Use in Sport \/ C.Woods, D. Ara\u00fajo, K. Davids, J. Rudd. \/\/ Sport. Sports Med &#8211; Open. \u2013 2021. \u2013 \u21167. \u2013 Article number: https:\/\/doi.org\/10.1186\/s40798-021-00366-y<\/li>\n<li>Chittenden T. Skin in the game: the use of sensing smart fabrics in tennis costume as a means of analyzing performance \/ Tara Chittenden. \/\/ Fashion and Textiles. \u2013 2017. \u2013 \u21164. \u2013 Article number: 22. https:\/\/doi.org\/10.1186\/s40691-017-0107-z<\/li>\n<li>\u041e\u0444\u0456\u0446\u0456\u0439\u043d\u0438\u0439 \u0441\u0430\u0439\u0442 \u0410\u0421\u0422\u0423 [\u0415\u043b\u0435\u043a\u0442\u0440\u043e\u043d\u043d\u0438\u0439 \u0440\u0435\u0441\u0443\u0440\u0441] \u2013 \u0420\u0435\u0436\u0438\u043c \u0434\u043e\u0441\u0442\u0443\u043f\u0443 \u0434\u043e \u0440\u0435\u0441\u0443\u0440\u0441\u0443: http:\/\/udsa.com.ua\/.<\/li>\n<li>\u041d\u0435\u0431\u043e\u0433\u0430\u0442\u0438\u043a\u043e\u0432\u0430 \u041e. \u0404. \u0423\u0434\u043e\u0441\u043a\u043e\u043d\u0430\u043b\u0435\u043d\u043d\u044f \u043f\u0440\u043e\u0446\u0435\u0441\u0443 \u043f\u0440\u043e\u0435\u043a\u0442\u0443\u0432\u0430\u043d\u043d\u044f \u043a\u043e\u0441\u0442\u044e\u043c\u0443 \u0434\u043b\u044f \u0442\u0435\u0430\u0442\u0440\u0443 \u0442\u0430 \u043a\u0456\u043d\u043e \/ \u041e. \u0404. \u041d\u0435\u0431\u043e\u0433\u0430\u0442\u0438\u043a\u043e\u0432\u0430, \u041d. \u0412. \u0421\u0430\u0434\u0440\u0435\u0442\u0434\u0456\u043d\u043e\u0432\u0430. \/\/ \u0422\u0435\u0445\u043d\u043e\u043b\u043e\u0433\u0456\u0457 \u0442\u0430 \u0434\u0438\u0437\u0430\u0439\u043d. \u2013 2018. \u2013 \u2116 4. \u2013 8 c.<\/li>\n<li>\u041e\u043c\u0435\u043b\u044c\u0447\u0435\u043d\u043a\u043e \u0410. \u0421. \u0414\u0438\u0437\u0430\u0439\u043d-\u043f\u0440\u043e\u0435\u043a\u0442\u0443\u0432\u0430\u043d\u043d\u044f \u0441\u0446\u0435\u043d\u0456\u0447\u043d\u043e\u0433\u043e \u043a\u043e\u0441\u0442\u044e\u043c\u0443 \u0456\u0437 \u0437\u0430\u0441\u0442\u043e\u0441\u0443\u0432\u0430\u043d\u043d\u044f\u043c \u0431\u0456\u043e\u043d\u0456\u0447\u043d\u043e\u0433\u043e \u043d\u0430\u043f\u0440\u044f\u043c\u043a\u0443 \/ \u0410\u043d\u0430\u0441\u0442\u0430\u0441\u0456\u044f \u0421\u0435\u0440\u0433\u0456\u0457\u0432\u043d\u0430 \u041e\u043c\u0435\u043b\u044c\u0447\u0435\u043d\u043a\u043e. \/\/ \u041d\u0430\u0443\u043a\u043e\u0432\u0456 \u0437\u0430\u043f\u0438\u0441\u043a\u0438 \u043c\u043e\u043b\u043e\u0434\u0438\u0445 \u0443\u0447\u0435\u043d\u0438\u0445. \u2013 2018. \u2013 \u21162. \u2013 \u0421. 1\u20138.<\/li>\n<li>\u041a\u043e\u0432\u0430\u043b\u044c\u0447\u0443\u043a \u041b. \u0422\u0435\u0430\u0442\u0440\u0430\u043b\u044c\u043d\u0438\u0439 \u043a\u043e\u0441\u0442\u044e\u043c \u2013 \u0432\u0430\u0436\u043b\u0438\u0432\u0430 \u0441\u043a\u043b\u0430\u0434\u043e\u0432\u0430 \u0445\u0443\u0434\u043e\u0436\u043d\u044c\u043e\u0433\u043e \u043e\u0431\u0440\u0430\u0437\u0443 \u0432\u0438\u0441\u0442\u0430\u0432\u0438 \/ \u041b\u044e\u0434\u043c\u0438\u043b\u0430 \u041a\u043e\u0432\u0430\u043b\u044c\u0447\u0443\u043a. \/\/ \u0422\u0435\u0430\u0442\u0440\u0430\u043b\u044c\u043d\u0438\u0439 \u0441\u0432\u0456\u0442. \u2013 \u0421. 233\u2013239.<\/li>\n<li>\u041f\u0440\u043e\u0435\u043a\u0442\u0443\u0432\u0430\u043d\u043d\u044f \u043e\u0434\u044f\u0433\u0443 \u0437\u0430\u0441\u043e\u0431\u0430\u043c\u0438 \u0456\u043d\u0444\u043e\u0440\u043c\u0430\u0446\u0456\u0439\u043d\u0438\u0445 \u0442\u0435\u0445\u043d\u043e\u043b\u043e\u0433\u0456\u0439 : \u043c\u043e\u043d\u043e\u0433\u0440. \/ \u0412.\u0412. \u0417\u0430\u043b\u043a\u0456\u043d\u0434. \u2013 \u0425\u0430\u0440\u043a\u0456\u0432 : &#8220;\u0422\u0435\u0445\u043d\u043e\u043b\u043e\u0433\u0456\u0447\u043d\u0438\u0439 \u0426\u0435\u043d\u0442\u0440&#8221;, 2014. \u2013 152\u0441.<\/li>\n<li>\u041f\u0440\u0430\u0432\u0438\u043b\u0430 \u0441\u043f\u043e\u0440\u0442\u0438\u0432\u043d\u043e\u0433\u043e \u043a\u043e\u0441\u0442\u044e\u043c\u0430. \/\/ All Ukrainian DanceSport Federation. \u2013 \u0421. 9.<\/li>\n<li>Salahuddin M. Wearable technology: are product developers meeting consumer\u2019s needs? \/ M. Salahuddin, R. Laurel. \/\/ International Journal of Fashion Design, Technology and Education. \u2013 2020. \u2013 Vol. 13 No. 1. \u2013 P. 58\u201367.<\/li>\n<li>Interactive technology embedded in fashion emotional design: Case study on interactive clothing for couples \/ W.Wang, Y. Nagai, Y. Fang, M. Maekawa. \/\/ International Journal of Clothing Science and Technology. \u2013 2018. \u2013 Vol. 30 No. 3. \u2013 P. 302\u2013319.<\/li>\n<li>Review on Smart Electro-Clothing Systems (SeCSs) \/ [A. Sayem, S. Teay, H. Shahariar at all.]. \/\/ Sensors. \u2013 2020. \u2013 Vol. 20 No. 3. \u2013 Article number: 587. \u2013 23 p. https:\/\/doi.org\/10.3390\/s20030587<\/li>\n<li>\u0414\u0421\u0422\u0423 3998\u20132000 \u00ab\u041c\u0430\u0442\u0435\u0440\u0456\u0430\u043b\u0438 \u0442\u0430 \u0432\u0438\u0440\u043e\u0431\u0438 \u0442\u0435\u043a\u0441\u0442\u0438\u043b\u044c\u043d\u0456, \u0442\u0440\u0438\u043a\u043e\u0442\u0430\u0436\u043d\u0456, \u0448\u0432\u0435\u0439\u043d\u0456 \u0442\u0430 \u0448\u043a\u0456\u0440\u044f\u043d\u0456\u00bb.<\/li>\n<\/ol>\n<p style=\"text-align: center;\"><strong>References<\/strong><\/p>\n<ol>\n<li>Orlando J. Electronic Textiles, Wearable Technology &amp; Smart Garments. What\u2019s the Difference? [Electronic resource] \/\/ Jamie Orlando \/\/ Butler Technologies Inc. &#8211; 2019. &#8211; Resource access mode: https:\/\/butlertechnologies.com\/electronic-textiles\/.<\/li>\n<li>TOP-12 high-tech dresses [Electronic resource] \/\/ DePo. &#8211; 2014. &#8211; Resource access mode: https:\/\/www.depo.ua\/ukr\/life\/top-12-vysokotehnologichnyh-platev-09092014135300.<\/li>\n<li>Find information about new properties of modern fabrics [Electronic resource] \/\/ Golden Student. &#8211; 2021. &#8211; Resource access mode: https:\/\/zlotystudent.com.ua\/znajdit-informaciyu-pro-novi-vlastivosti-suchasnix-tkanin\/.<\/li>\n<li>Lesia trubat&#8217;s ballet shoes electronically trace the movements of dancers [Electronic resource] \/\/ Designboom. &#8211; 2014. &#8211; Resource access mode: https:\/\/www.designboom.com\/design\/lesia-trubat-e-traces-ballet-shoes-phone-app-10-24-2014\/.<\/li>\n<li>Official website of Wondar Studios [Electronic resource] &#8211; Resource access mode: https:\/\/wondarstudios.medium.com\/.<\/li>\n<li>Official site of EtereShop [Electronic resource] &#8211; Resource access mode: https:\/\/www.etsy.com\/shop\/EtereShop.<\/li>\n<li>Zakharkevich O. Analysis of smart clothing range \/ O. Zakharkevich, N. Dik, I. Poluchovich. \/\/ Online magazine for Textiles, Clothing, Leather and Technology. &#8211; 22. &#8211; No. 7. &#8211; R. 166\u2013170.<\/li>\n<li>Sosina VY Choreography in sports: textbook. way. \/ Sosina V. Yu. &#8211; Kyiv: Olympic Literature, 2019. &#8211; 335 p.<\/li>\n<li>Smart &#8211; not only intelligent! \u2019Co-creating priorities and design direction for\u2018 smart \u2019footwear to support independent aging. \/ T.Callari, L. Moody, P. Magee, D. Yang. \/\/ International Journal of Fashion Design, Technology and Education. &#8211; 2019. &#8211; Vol. 19 No. 3 &#8211; P. 313\u2013324.<\/li>\n<li>Perry A. Exploring from creators \u2019perspectives issues and solutions about knowledge, difficulties, and disposal in making smart clothing designs \/ Anna Perry. \/\/ International Journal of Fashion Design, Technology and Education. &#8211; 2018. &#8211; Vol. 11 No. 1 &#8211; P. 129\u2013137.<\/li>\n<li>Dunne L. Beyond the second skin: an experimental approach to addressing garment style and fit variables in the design of sensing garments \/ Lucy Dunne \/\/ International Journal of Fashion Design, Technology and Education. &#8211; 2010. &#8211; Vol. 3 No 3. &#8211; P. 109\u2013117.<\/li>\n<li>Koo S. Explorations of wearable technology for tracking self and others \/ S. Koo, K. Fallon. \/\/ Fashion and Textiles. \u2013 2018. \u2013 \u21165 \u2013 Article number: 8. https:\/\/doi.org\/10.1186\/s40691-017-0123-z<\/li>\n<li>Fashion inspiration and technology: virtual reality in an experimental apparel design classroom \/ [\u0421. Starkey, S. Alotaibi, H. Striebel at all.]. \/\/ International Journal of Fashion Design, Technology and Education. \u2013 2021. \u2013Vol. 14 No. 1. \u2013 P. 12\u201320.<\/li>\n<li>Perry A. 3D-printed apparel and 3D-printer: exploring advantages, concerns, and purchases \/ Anna Perry. \/\/ International Journal of Fashion Design, Technology and Education. \u2013 2018. \u2013 Vol. 11 No 1. \u2013 P. 95\u2013103.<\/li>\n<li>Wearable E-Textile Technologies: A Review on Sensors, Actuators and Control Elements \/ C. Gon\u00e7alves, A. Ferreira da Silva, J. Gomes, R. Simoes. \/\/ Inventions. \u2013 2018. \u2013 Vol. 3 No. 1. \u2013 Article number: 14. \u2013 13 p. https:\/\/doi.org\/10.3390\/inventions3010014<\/li>\n<li>Tolmachov V. Application of arduino-like systems for determination of physical and mechanical indicators of flax fiber \/ V. Tolmachov, A. Ryabko. \/\/ Fibers and Textiles. &#8211; 2021. &#8211; Vol. 28 No. 2. &#8211; P. 91\u201398.<\/li>\n<li>Smart Clothing Framework for HealthMonitoring Applications \/ M.Ahsan, S. Teay, A. Sayem, A. Albarbar. \/\/ Signals. \u2013 2022. \u2013 Vol. 3 No. 1. &#8211; P. 113\u2013145. https:\/\/doi.org\/10.3390\/signals3010009<\/li>\n<li>Arduino official website [Electronic resource] &#8211; Resource access mode: https:\/\/www.arduino.cc<\/li>\n<li>CES Google Xiaomi sneakers clothing Fashionable to be &#8220;smart&#8221;: Current smart clothing [Electronic resource] \/\/ Hi-Tech.UA. \u2013 2018. &#8211; Resource access mode: https:\/\/hi-tech.ua\/article\/modno-byit-umnyim-aktualnaya-smart-odezhda\/.<\/li>\n<li>Sergeiko, Yu. Smart clothing: 8 examples from the future those are on the market. \u2013 2018. \u2013 Resource access mode: https:\/\/mag.relax.ua\/gorod\/tema-dnya\/10486763-umnaja-odezhda\/.<\/li>\n<li>From a Technology That Replaces Human Perception \u2013 Action to One That Expands It: Some Critiques of Current Technology Use in Sport \/ C.Woods, D. Ara\u00fajo, K. Davids, J. Rudd. \/\/ Sport. Sports Med \u2013 Open. \u2013 2021. \u2013 \u21167. \u2013 P. 76.<\/li>\n<li>Chittenden T. Skin in the game: the use of sensing smart fabrics in tennis costume as a means of analyzing performance \/ Tara Chittenden. \/\/ Fashion and Textiles. \u2013 2017. \u2013 \u21164. \u2013 P. 22.<\/li>\n<li>Official website of UDSA [Electronic resource] -Resource access mode: http:\/\/udsa.com.ua\/.<\/li>\n<li>Nebogatikova O. E. Improvement of the costume design process for theater and cinema \/ O. E. Nebogatikova, N. V. Sadretdinova. \/\/ Technology and design. &#8211; 2018. &#8211; \u2116 4. &#8211; 8 p.<\/li>\n<li>Omelchenko AS Design-design of stage costume with the use of bionic direction \/ Anastasia Sergeevna Omelchenko. \/\/ Scientific notes of young scientists. \u2013 2018. \u2013 \u21162. \u2013 P. 1-8.<\/li>\n<li>Kovalchuk L. Theatrical costume &#8211; an important component of the artistic image of the play \/ Lyudmila Kovalchuk. \/\/ Theatrical world. \u2013 P. 233\u2013239.<\/li>\n<li>Design of clothing by means of information technology: monograph. \/V.V. Zalkind. &#8211; Kharkiv: &#8220;Technology Center&#8221;, 2014. &#8211; 152p.<\/li>\n<li>Rules of a sports suit. \/\/ All Ukrainian DanceSport Federation. \u2013 P. 9.<\/li>\n<li>Salahuddin M. Wearable technology: are product developers meeting consumer\u2019s needs? \/ M. Salahuddin, R. Laurel. \/\/ International Journal of Fashion Design, Technology and Education. \u2013 2020. \u2013 Vol. 13 No. 1. \u2013 P. 58-67.<\/li>\n<li>Interactive technology embedded in fashion emotional design: Case study on interactive clothing for couples \/ W.Wang, Y. Nagai, Y. Fang, M. Maekawa. \/\/ International Journal of Clothing Science and Technology. \u2013 2018. \u2013 Vol. 30 No. 3. \u2013 P. 302\u2013319.<\/li>\n<li>Review on Smart Electro-Clothing Systems (SeCSs) \/ [A. Sayem, S. Teay, H. Shahariar at all.]. \/\/ Sensors. \u2013 2020. \u2013 Vol. 20 No. 3. \u2013 Article number: 587. &#8211; 23 p. https:\/\/doi.org\/10.3390\/s20030587<\/li>\n<li>DSTU 3998-2000 &#8220;Materials and textile products, knitted, sewing and leather&#8221;.<\/li>\n<\/ol>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[65],"tags":[],"_links":{"self":[{"href":"https:\/\/journals.khnu.km.ua\/vestnik\/index.php?rest_route=\/wp\/v2\/posts\/12441"}],"collection":[{"href":"https:\/\/journals.khnu.km.ua\/vestnik\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/journals.khnu.km.ua\/vestnik\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/journals.khnu.km.ua\/vestnik\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/journals.khnu.km.ua\/vestnik\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=12441"}],"version-history":[{"count":3,"href":"https:\/\/journals.khnu.km.ua\/vestnik\/index.php?rest_route=\/wp\/v2\/posts\/12441\/revisions"}],"predecessor-version":[{"id":12668,"href":"https:\/\/journals.khnu.km.ua\/vestnik\/index.php?rest_route=\/wp\/v2\/posts\/12441\/revisions\/12668"}],"wp:attachment":[{"href":"https:\/\/journals.khnu.km.ua\/vestnik\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=12441"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/journals.khnu.km.ua\/vestnik\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=12441"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/journals.khnu.km.ua\/vestnik\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=12441"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}