{"id":13410,"date":"2022-08-21T11:09:59","date_gmt":"2022-08-21T08:09:59","guid":{"rendered":"http:\/\/journals.khnu.km.ua\/vestnik\/?p=13410"},"modified":"2022-10-03T14:46:04","modified_gmt":"2022-10-03T11:46:04","slug":"kejp-istorychne-mynule-ta-modna-suchasnist","status":"publish","type":"post","link":"https:\/\/journals.khnu.km.ua\/vestnik\/?p=13410","title":{"rendered":"\u041a\u0435\u0439\u043f: \u0456\u0441\u0442\u043e\u0440\u0438\u0447\u043d\u0435 \u043c\u0438\u043d\u0443\u043b\u0435 \u0442\u0430 \u043c\u043e\u0434\u043d\u0430 \u0441\u0443\u0447\u0430\u0441\u043d\u0456\u0441\u0442\u044c"},"content":{"rendered":"<p><!--more--><\/p>\n<p style=\"text-align: center;\">\u041a\u0415\u0419\u041f: \u0406\u0421\u0422\u041e\u0420\u0418\u0427\u041d\u0415 \u041c\u0418\u041d\u0423\u041b\u0415 \u0422\u0410 \u041c\u041e\u0414\u041d\u0410 \u0421\u0423\u0427\u0410\u0421\u041d\u0406\u0421\u0422\u042c<\/p>\n<p style=\"text-align: center;\">CAPE: HISTORICAL PAST AND FASHIONABLE PRESENT<\/p>\n<p><strong>\u0421\u0442\u043e\u0440\u0456\u043d\u043a\u0438:\u00a0<\/strong><strong>87<\/strong><strong>&#8211;<\/strong><strong>93<\/strong><strong>. \u041d\u043e\u043c\u0435\u0440: \u21164, 2022 (311)\u00a0 \u00a0<a href=\"http:\/\/journals.khnu.km.ua\/vestnik\/wp-content\/uploads\/2022\/08\/vknu-ts-2022-n4311-87-93.pdf\"> <img loading=\"lazy\" class=\"size-full wp-image-69 alignnone\" src=\"http:\/\/journals.khnu.km.ua\/vestnik\/wp-content\/uploads\/2021\/01\/pdf.png\" alt=\"\" width=\"76\" height=\"32\" \/><\/a><\/strong><br \/>\n<strong>\u0410\u0432\u0442\u043e\u0440\u0438:<\/strong><br \/>\n\u0414\u0406\u0422\u041a\u041e\u0412\u0421\u042c\u041a\u0410 \u041e. \u0410.<br \/>\n\u0425\u043c\u0435\u043b\u044c\u043d\u0438\u0446\u044c\u043a\u0438\u0439 \u043d\u0430\u0446\u0456\u043e\u043d\u0430\u043b\u044c\u043d\u0438\u0439 \u0443\u043d\u0456\u0432\u0435\u0440\u0441\u0438\u0442\u0435\u0442<br \/>\n<a href=\"https:\/\/orcid.org\/0000-0001-5608-2103\">https:\/\/orcid.org\/0000-0001-5608-2103<\/a><br \/>\ne-mail: <a href=\"mailto:ditkovskao@khmnu.edu.ua\">ditkovskao@khmnu.edu.ua<\/a><br \/>\n\u041b\u0423\u0429\u0415\u0412\u0421\u042c\u041a\u0410 \u041e. \u041c.<br \/>\n\u0425\u043c\u0435\u043b\u044c\u043d\u0438\u0446\u044c\u043a\u0438\u0439 \u043d\u0430\u0446\u0456\u043e\u043d\u0430\u043b\u044c\u043d\u0438\u0439 \u0443\u043d\u0456\u0432\u0435\u0440\u0441\u0438\u0442\u0435\u0442<br \/>\n<a href=\"https:\/\/orcid.org\/0000-0003-2689-798X\">https:\/\/orcid.org\/0000-0003-2689-798X<\/a><br \/>\ne-mail: <a href=\"mailto:lushchevskao@khmnu.edu.ua\">lushchevskao@khmnu.edu.ua<\/a><br \/>\n\u0411\u0423\u0425\u0410\u041d\u0426\u041e\u0412\u0410 \u041b. \u0412.<br \/>\n\u0425\u043c\u0435\u043b\u044c\u043d\u0438\u0446\u044c\u043a\u0438\u0439 \u043d\u0430\u0446\u0456\u043e\u043d\u0430\u043b\u044c\u043d\u0438\u0439 \u0443\u043d\u0456\u0432\u0435\u0440\u0441\u0438\u0442\u0435\u0442<br \/>\n<a href=\"https:\/\/orcid.org\/0000-0003-3452-4593\">https:\/\/orcid.org\/0000-0003-3452-4593<\/a><br \/>\ne-mail: <a href=\"mailto:bukhantsovaliu@khmnu.edu.ua\">bukhantsovaliu@khmnu.edu.ua<\/a><br \/>\nOlesya DITKOVSKA, Olena LUSHCHEVSKA, Liudmyla Bukhantsova<br \/>\nKhmelnytskyi National University<br \/>\n<strong>DOI:<\/strong>\u00a0<a href=\"https:\/\/www.doi.org\/10.31891\/2307-5732-2022-311-4-87-93\">https:\/\/www.doi.org\/10.31891\/2307-5732-2022-311-4-87-93<\/a><\/p>\n<p style=\"text-align: center;\"><strong>\u0410\u043d\u043e\u0442\u0430\u0446\u0456\u044f \u043c\u043e\u0432\u043e\u044e \u043e\u0440\u0438\u0433\u0456\u043d\u0430\u043b\u0443<\/strong><\/p>\n<p>\u0412 \u0440\u043e\u0431\u043e\u0442\u0456 \u043f\u0440\u043e\u0432\u0435\u0434\u0435\u043d\u043e \u0434\u043e\u0441\u043b\u0456\u0434\u0436\u0435\u043d\u043d\u044f \u0456\u0441\u0442\u043e\u0440\u0438\u0447\u043d\u0438\u0445 \u0442\u0430 \u0441\u0443\u0447\u0430\u0441\u043d\u0438\u0445 \u043c\u043e\u0434\u0435\u043b\u0435\u0439 \u0436\u0456\u043d\u043e\u0447\u043e\u0433\u043e \u043f\u043b\u0435\u0447\u043e\u0432\u043e\u0433\u043e \u043e\u0434\u044f\u0433\u0443 \u0442\u0438\u043f\u0443 \u043a\u0435\u0439\u043f, \u0449\u043e \u043c\u0430\u0454 \u0431\u0430\u0433\u0430\u0442\u043e\u0432\u0456\u043a\u043e\u0432\u0443 \u0456\u0441\u0442\u043e\u0440\u0456\u044e \u0442\u0430 \u0454 \u043c\u043e\u0434\u043d\u0438\u043c \u0442\u0440\u0435\u043d\u0434\u043e\u043c \u0441\u0443\u0447\u0430\u0441\u043d\u043e\u0441\u0442\u0456. \u041f\u0440\u043e\u0432\u0435\u0434\u0435\u043d\u043e \u0440\u0435\u0442\u0440\u043e\u0441\u043f\u0435\u043a\u0442\u0438\u0432\u043d\u0438\u0439 \u0430\u043d\u0430\u043b\u0456\u0437 \u0432\u0438\u0434\u0456\u0432, \u0444\u043e\u0440\u043c\u0438 \u0442\u0430 \u0440\u0456\u0437\u043d\u043e\u043c\u0430\u043d\u0456\u0442\u0442\u044f \u043e\u0437\u0434\u043e\u0431\u043b\u0435\u043d\u043d\u044f \u043a\u0435\u0439\u043f \u0437\u0430 \u043f\u0435\u0440\u0456\u043e\u0434 \u0437 1750-\u0445 \u0434\u043e \u043f\u043e\u0447\u0430\u0442\u043a\u0443 1900-\u0445 \u0440\u043e\u043a\u0456\u0432. \u0412\u0441\u0442\u0430\u043d\u043e\u0432\u043b\u0435\u043d\u043e, \u0449\u043e \u0437\u0430 \u0441\u0432\u043e\u044e \u0456\u0441\u0442\u043e\u0440\u0456\u044e \u0437 \u043f\u0440\u043e\u0441\u0442\u043e\u0457 \u043d\u0430\u043a\u0438\u0434\u043a\u0438 \u0456\u0437 \u0433\u0440\u0443\u0431\u043e\u0433\u043e \u0441\u0443\u043a\u043d\u0430 \u0447\u0438 \u0432\u043e\u0432\u043d\u0438 \u0437 \u043a\u0456\u043d\u0446\u044f \u0425VII\u0406 \u0441\u0442. \u043a\u0435\u0439\u043f, \u043e\u043a\u0440\u0456\u043c \u043f\u0440\u044f\u043c\u043e\u0433\u043e \u043f\u0440\u0438\u0437\u043d\u0430\u0447\u0435\u043d\u043d\u044f \u043e\u0431\u0435\u0440\u0456\u0433\u0430\u0442\u0438 \u0432\u0456\u0434 \u0445\u043e\u043b\u043e\u0434\u0443, \u043f\u043e\u0447\u0430\u0432 \u0432\u0438\u043a\u043e\u043d\u0443\u0432\u0430\u0442\u0438 \u0449\u0435 \u0439 \u0435\u0441\u0442\u0435\u0442\u0438\u0447\u043d\u043e-\u0456\u043d\u0444\u043e\u0440\u043c\u0430\u0446\u0456\u0439\u043d\u0443 \u0444\u0443\u043d\u043a\u0446\u0456\u044e, \u043e\u0441\u043a\u0456\u043b\u044c\u043a\u0438 \u043e\u0442\u0440\u0438\u043c\u0430\u0432 \u0441\u0442\u0430\u0442\u0443\u0441 \u0435\u043b\u0435\u043c\u0435\u043d\u0442\u0443 \u0433\u0430\u0440\u0434\u0435\u0440\u043e\u0431\u0443 \u0437\u043d\u0430\u0442\u0456 \u0442\u0430 \u0431\u0430\u0433\u0430\u0442\u0438\u0445 \u0432\u0435\u0440\u0441\u0442\u0432 \u043d\u0430\u0441\u0435\u043b\u0435\u043d\u043d\u044f. \u0412\u0440\u0430\u0445\u043e\u0432\u0443\u044e\u0447\u0438 \u043d\u0430\u0434\u0437\u0432\u0438\u0447\u0430\u0439\u043d\u0435 \u0440\u0456\u0437\u043d\u043e\u043c\u0430\u043d\u0456\u0442\u0442\u044f \u043a\u043e\u043d\u0441\u0442\u0440\u0443\u043a\u0442\u0438\u0432\u043d\u0438\u0445 \u0442\u0430 \u0441\u0442\u0438\u043b\u0456\u0441\u0442\u0438\u0447\u043d\u0438\u0445 \u0440\u0456\u0448\u0435\u043d\u044c \u0441\u0443\u0447\u0430\u0441\u043d\u0438\u0445 \u043c\u043e\u0434\u0435\u043b\u0435\u0439 \u043a\u0435\u0439\u043f, \u0440\u0435\u043a\u043e\u043c\u0435\u043d\u0434\u043e\u0432\u0430\u043d\u043e \u0432\u0456\u0434\u0434\u0456\u043b\u0438\u0442\u0438 \u043f\u043e\u043d\u044f\u0442\u0442\u044f &#8220;\u043a\u0435\u0439\u043f&#8221; \u0432\u0456\u0434 \u043f\u043e\u043d\u044f\u0442\u0442\u044f &#8220;\u043d\u0430\u043a\u0438\u0434\u043a\u0430 &#8221; \u0447\u0438 &#8220;\u043f\u0430\u043b\u044c\u0442\u043e&#8221; \u0456 \u0432\u0432\u0430\u0436\u0430\u0442\u0438 \u0441\u0430\u043c\u043e\u0441\u0442\u0456\u0439\u043d\u0438\u043c \u0432\u0438\u0434\u043e\u043c \u043f\u043b\u0435\u0447\u043e\u0432\u043e\u0433\u043e \u043e\u0434\u044f\u0433\u0443 \u0437 \u043e\u0440\u0438\u0433\u0456\u043d\u0430\u043b\u044c\u043d\u0438\u043c \u043a\u0440\u043e\u0454\u043c. \u0414\u043e\u0432\u0435\u0434\u0435\u043d\u043e, \u0449\u043e \u0456\u0441\u0442\u043e\u0440\u0438\u0447\u043d\u0438\u0439 \u043e\u0434\u044f\u0433 \u0454 \u0430\u043a\u0442\u0443\u0430\u043b\u044c\u043d\u0438\u043c \u0441\u044c\u043e\u0433\u043e\u0434\u043d\u0456 \u0442\u0430 \u043d\u0435\u0432\u0438\u0447\u0435\u0440\u043f\u043d\u0438\u043c \u0434\u0436\u0435\u0440\u0435\u043b\u043e\u043c \u043d\u0430\u0442\u0445\u043d\u0435\u043d\u043d\u044f \u0434\u043b\u044f \u0441\u0443\u0447\u0430\u0441\u043d\u0438\u0445 \u0434\u0438\u0437\u0430\u0439\u043d\u0435\u0440\u0456\u0432, \u044f\u043a\u0456 \u0454 \u0441\u0443\u0431\u2019\u0454\u043a\u0442\u0430\u043c\u0438 \u0440\u0456\u0437\u043d\u0438\u0445 \u0441\u0435\u0433\u043c\u0435\u043d\u0442\u0456\u0432 \u0441\u0438\u0441\u0442\u0435\u043c\u0438 \u043c\u043e\u0434\u0438.<br \/>\n<strong>\u041a\u043b\u044e\u0447\u043e\u0432\u0456 \u0441\u043b\u043e\u0432\u0430:<\/strong> \u043a\u0435\u0439\u043f, \u0440\u0435\u0442\u0440\u043e\u0441\u043f\u0435\u043a\u0442\u0438\u0432\u043d\u0438\u0439 \u0430\u043d\u0430\u043b\u0456\u0437, \u043a\u043e\u043b\u0435\u043a\u0446\u0456\u044f, \u0434\u0436\u0435\u0440\u0435\u043b\u043e \u0442\u0432\u043e\u0440\u0447\u043e\u0441\u0442\u0456, \u043e\u0437\u0434\u043e\u0431\u043b\u0435\u043d\u043d\u044f, \u0434\u0438\u0437\u0430\u0439\u043d \u043e\u0434\u044f\u0433\u0443<\/p>\n<p style=\"text-align: center;\"><strong>\u00a0<\/strong><strong>\u0420\u043e\u0437\u0448\u0438\u0440\u0435\u043d\u0430 \u0430\u043d\u043e\u0442\u0430\u0446\u0456\u044f \u0430\u043d\u0433\u043b\u0456\u0439\u0441\u044c\u043a\u043e\u044e \u00a0\u043c\u043e\u0432\u043e\u044e<\/strong><\/p>\n<p>.The paper studies historical and modern models of women&#8217;s shoulder cape-type clothing, which has a long history and is a fashion trend of our time. A retrospective analysis of the types, shapes and varieties of cape decoration for the period from the 1750 to the early 1900 was carried out based on photographs of original cape models stored in museum funds. It has been established that during its history from a simple cape made of coarse cloth or wool from the end of the 18th century the cape, in addition to its direct purpose to protect from the cold, began to perform an aesthetic and informational function, as it received the status of an element of the wardrobe of the nobility and the wealthy segments of the population. For the elite, capes like a cape were sewn from expensive and luxurious fabrics, decorated with embroidery, ribbons, fringe, lace, jewellery, embroidered with cords, lined with fur, in order to emphasize the owner&#8217;s belonging to high society with all their appearance.<br \/>\nIt has been proven that historical clothes are relevant today and are an inexhaustible source of inspiration for modern designers who are subjects of different segments of the fashion system. Modern capes are extremely different from ancient models, have the greatest variety of types, shapes, options for stylistic embodiment than ever before. It is obvious that the &#8220;cape&#8221;, as a design option for clothing, has gone beyond the concept of &#8220;shoulder cape&#8221; or &#8220;coat&#8221;, and therefore should be considered an independent type of shoulder clothing. It has been established that by applying the principles of eclecticism through quotation, stylization or interpretation in costume design, it is possible to design an individual and unique image that will always create preferences for identifying its owner. A vivid example of this is the cape in the collections of world designers.<br \/>\n<strong>Key words:<\/strong> cape, retrospective analysis, collection, source of creativity, decoration, clothing design.<\/p>\n<p style=\"text-align: center;\"><em>\u00a0<\/em><strong>\u041b\u0456\u0442\u0435\u0440\u0430\u0442\u0443\u0440\u0430<\/strong><\/p>\n<ol>\n<li>\u042f\u0440\u0435\u043c\u0435\u043d\u043a\u043e \u0406.\u041c. \u0420\u0435\u0442\u0440\u043e\u0441\u043f\u0435\u043a\u0442\u0438\u0432\u043d\u0438\u0439 \u0430\u043d\u0430\u043b\u0456\u0437 \u0442\u0430 \u0441\u0443\u0447\u0430\u0441\u043d\u0435 \u0431\u0430\u0447\u0435\u043d\u043d\u044f \u043c\u043e\u0434\u043d\u043e\u0433\u043e \u043a\u0435\u0439\u043f \/ \u0406.\u041c. \u042f\u0440\u0435\u043c\u0435\u043d\u043a\u043e, \u041e.\u0410.\u0414\u0456\u0442\u043a\u043e\u0432\u0441\u044c\u043a\u0430 \/\/ \u0422\u0435\u0437\u0438 \u0434\u043e\u043f\u043e\u0432\u0456\u0434\u0435\u0439 \u0425V\u0406I\u0406 \u0412\u0441\u0435\u0443\u043a\u0440\u0430\u0457\u043d\u0441\u044c\u043a\u043e\u0457 \u043d\u0430\u0443\u043a\u043e\u0432\u043e\u0457 \u043a\u043e\u043d\u0444\u0435\u0440\u0435\u043d\u0446\u0456\u0457 \u043c\u043e\u043b\u043e\u0434\u0438\u0445 \u0432\u0447\u0435\u043d\u0438\u0445 \u0442\u0430 \u0441\u0442\u0443\u0434\u0435\u043d\u0442\u0456\u0432 \u00ab\u041d\u0430\u0443\u043a\u043e\u0432\u0456 \u0440\u043e\u0437\u0440\u043e\u0431\u043a\u0438 \u043c\u043e\u043b\u043e\u0434\u0456 \u043d\u0430 \u0441\u0443\u0447\u0430\u0441\u043d\u043e\u043c\u0443 \u0435\u0442\u0430\u043f\u0456\u00bb. \u2013 \u041a\u0438\u0457\u0432, \u041a\u041d\u0423\u0422\u0414. 18-19 \u043a\u0432\u0456\u0442\u043d\u044f 2019. \u2013 \u0422\u043e\u043c 1. \u2013 \u0421. 57\u201358.<\/li>\n<li>Krasniuk L. Designing the author&#8217;s collection of women&#8217;s clothing with the use of painting as the source of inspiration \/ L. Krasniuk, O. Troyan \/\/ Vlakna a Textil (Fibres and Textiles). \u2013 2020. \u2013 \u2116 3 (27). \u2013 \u0420. 97\u2013102.<\/li>\n<li>\u041f\u0435\u0447\u0435\u0440\u0441\u044c\u043a\u0430 \u0412.\u041f. \u0414\u043e\u0441\u043b\u0456\u0434\u0436\u0435\u043d\u043d\u044f \u0445\u0443\u0434\u043e\u0436\u043d\u044c\u043e-\u043a\u043e\u043c\u043f\u043e\u0437\u0438\u0446\u0456\u0439\u043d\u0438\u0445 \u0445\u0430\u0440\u0430\u043a\u0442\u0435\u0440\u0438\u0441\u0442\u0438\u043a \u0435\u043b\u0435\u043c\u0435\u043d\u0442\u0456\u0432 \u0442\u0432\u043e\u0440\u0447\u043e\u0441\u0442\u0456 \u0424\u0435\u0440\u043d\u0430\u043d\u0430 \u041b\u0435\u0436\u0435 \u0437 \u043c\u0435\u0442\u043e\u044e \u0440\u043e\u0437\u0440\u043e\u0431\u043a\u0438 \u0441\u0443\u0447\u0430\u0441\u043d\u043e\u0457 \u043a\u043e\u043b\u0435\u043a\u0446\u0456\u0457 \u043e\u0434\u044f\u0433\u0443 \/ \u0412.\u041f. \u041f\u0435\u0447\u0435\u0440\u0441\u044c\u043a\u0430, \u041d.\u0412. \u0427\u0443\u043f\u0440\u0456\u043d\u0430, \u041d.\u0406. \u041a\u0443\u0434\u0440\u044f\u0432\u0446\u0435\u0432\u0430 \/\/ \u0422\u0435\u0445\u043d\u043e\u043b\u043e\u0433\u0456\u0457 \u0442\u0430 \u0434\u0438\u0437\u0430\u0439\u043d. \u2013 2019. \u2013 \u2116 1 (30).<\/li>\n<li>\u041a\u0438\u044f\u0448\u043a\u043e \u041c.\u0421. \u0412\u0438\u0432\u0447\u0435\u043d\u043d\u044f \u0445\u0443\u0434\u043e\u0436\u043d\u044c\u043e-\u043a\u043e\u043c\u043f\u043e\u0437\u0438\u0446\u0456\u0439\u043d\u0438\u0445 \u0445\u0430\u0440\u0430\u043a\u0442\u0435\u0440\u0438\u0441\u0442\u0438\u043a \u043a\u043e\u0441\u0442\u044e\u043c\u0430 \u0442\u0440\u0438\u043f\u0456\u043b\u044c\u0441\u044c\u043a\u043e\u0457 \u043a\u0443\u043b\u044c\u0442\u0443\u0440\u0438 \u0432 \u043f\u0440\u043e\u0435\u043a\u0442\u0443\u0432\u0430\u043d\u043d\u0456 \u0441\u0443\u0447\u0430\u0441\u043d\u0438\u0445 \u043a\u043e\u043b\u0435\u043a\u0446\u0456\u0439 \u043e\u0434\u044f\u0433\u0443 \/ \u041c.\u0421. \u041a\u0438\u044f\u0448\u043a\u043e, \u0422.\u0412. \u041d\u0456\u043a\u043e\u043b\u0430\u0454\u0432\u0430, \u0422.\u0406. \u041d\u0456\u043a\u043e\u043b\u0430\u0454\u0432\u0430 \/\/ \u0422\u0435\u0445\u043d\u043e\u043b\u043e\u0433\u0456\u0457 \u0442\u0430 \u0434\u0438\u0437\u0430\u0439\u043d. \u2013 2018. \u2013 \u2116 2(27).<\/li>\n<li>\u0410\u0431\u0440\u0430\u043c\u043e\u0432\u0430 \u041e.\u0412. \u0414\u0438\u0437\u0430\u0439\u043d-\u043f\u0440\u043e\u0454\u043a\u0442\u0443\u0432\u0430\u043d\u043d\u044f \u0430\u0432\u0442\u043e\u0440\u0441\u044c\u043a\u043e\u0457 \u043a\u043e\u043b\u0435\u043a\u0446\u0456\u0457 \u043e\u0434\u044f\u0433\u0443 \u0437 \u0432\u0438\u043a\u043e\u0440\u0438\u0441\u0442\u0430\u043d\u043d\u044f\u043c \u0442\u0435\u0445\u043d\u0456\u043a\u0438 \u043f\u0435\u0447\u0432\u043e\u0440\u043a \/ \u041e.\u0412. \u0410\u0431\u0440\u0430\u043c\u043e\u0432\u0430, \u041e.\u0412. \u0404\u0436\u043e\u0432\u0430, \u041b.\u041e. \u0427\u0438\u0441\u0442\u044f\u043a\u043e\u0432\u0430, \u0406.\u041e. \u041a\u0443\u0434\u0440\u0435\u0432\u0438\u0447 \/\/ Art and Design. \u2013 2020. \u2013 \u2116 1. \u2013 \u0421. 28\u201340. \u2013 DOI: 10.30857\/2617-0272.2020.1.2.<\/li>\n<li>\u041a\u0440\u0430\u0441\u043d\u044e\u043a \u041b.\u0412. <a href=\"https:\/\/jrnl.knutd.edu.ua\/index.php\/artdes\/article\/view\/421\">\u0414\u0438\u0437\u0430\u0439\u043d-\u043f\u0440\u043e\u0435\u043a\u0442\u0443\u0432\u0430\u043d\u043d\u044f \u0430\u0432\u0442\u043e\u0440\u0441\u044c\u043a\u043e\u0457 \u043a\u043e\u043b\u0435\u043a\u0446\u0456\u0457 \u043e\u0434\u044f\u0433\u0443 \u0432 \u0440\u043e\u043c\u0430\u043d\u0442\u0438\u0447\u043d\u043e\u043c\u0443 \u0441\u0442\u0438\u043b\u0456<\/a> \/ \u041b.\u0412.\u041a\u0440\u0430\u0441\u043d\u044e\u043a, \u041e.\u041c. \u0422\u0440\u043e\u044f\u043d, \u041a.\u041c. \u0422\u0443\u0440\u0436\u0430\u043d\u0441\u044c\u043a\u0430, \u042e.\u0421. \u0413\u043b\u0443\u0448\u043a\u043e \/\/ Art and Design. \u2013 2019. \u2013 \u2116 3. \u2013 \u0421. 77\u201388.<\/li>\n<li>\u0412\u0430\u0441\u0438\u043b\u044c\u0454\u0432\u0430 \u041e.\u0421. \u0410\u0440\u0445\u0456\u0442\u0435\u043a\u0442\u0443\u0440\u0430 \u044f\u043a \u0434\u0436\u0435\u0440\u0435\u043b\u043e \u043d\u0430\u0442\u0445\u043d\u0435\u043d\u043d\u044f \u0434\u043b\u044f \u0440\u043e\u0437\u0440\u043e\u0431\u043a\u0438 \u0430\u0432\u0442\u043e\u0440\u0441\u044c\u043a\u0438\u0445 \u043a\u043e\u043b\u0435\u043a\u0446\u0456\u0439 \u043e\u0434\u044f\u0433\u0443 \/ \u041e.\u0421.\u0412\u0430\u0441\u0438\u043b\u044c\u0454\u0432\u0430, \u041c.\u0421. \u0412\u0438\u043d\u043d\u0438\u0447\u0443\u043a, \u0406.\u0412. \u0412\u0430\u0441\u0438\u043b\u044c\u0454\u0432\u0430, \u0406.\u0412. \u041e\u043b\u0456\u0439\u043d\u0438\u043a \/\/ Art and Design. \u2013 2020. \u2013 \u2116 1 (09). \u2013 \u0421. 70\u201381. DOI: 10.30857\/2617-0272.2020.1.5.<\/li>\n<li>\u041c\u0430\u0440\u043a\u043e\u0432\u0430 \u0410.\u0412. \u0412\u0438\u0432\u0447\u0435\u043d\u043d\u044f \u0432\u0437\u0430\u0454\u043c\u043e\u0434\u0456\u0457 \u0445\u0443\u0434\u043e\u0436\u043d\u044c\u043e-\u043a\u043e\u043c\u043f\u043e\u0437\u0438\u0446\u0456\u0439\u043d\u0438\u0445 \u0445\u0430\u0440\u0430\u043a\u0442\u0435\u0440\u0438\u0441\u0442\u0438\u043a \u043d\u0435\u043e\u0444\u0443\u0442\u0443\u0440\u0438\u0441\u0442\u0438\u0447\u043d\u043e\u0433\u043e \u043d\u0430\u043f\u0440\u044f\u043c\u043a\u0443 \u0442\u0430 \u0431\u0456\u043e\u043d\u0456\u0447\u043d\u043e\u0433\u043e \u0444\u043e\u0440\u043c\u043e\u0443\u0442\u0432\u043e\u0440\u0435\u043d\u043d\u044f \u0434\u043b\u044f \u043f\u0440\u043e\u0435\u043a\u0442\u0443\u0432\u0430\u043d\u043d\u044f \u0441\u0443\u0447\u0430\u0441\u043d\u0438\u0445 \u043a\u043e\u043b\u0435\u043a\u0446\u0456\u0439 \/ \u0410. \u0412. \u041c\u0430\u0440\u043a\u043e\u0432\u0430, \u041d.\u041e.\u041d\u0430\u0443\u043c\u0435\u043d\u043a\u043e, \u0410. \u041b. \u0427\u0435\u0431\u0430\u043d\u043e\u0432\u0430, \u0422. \u0406. \u041d\u0456\u043a\u043e\u043b\u0430\u0454\u0432\u0430 \/\/ \u0422\u0435\u0445\u043d\u043e\u043b\u043e\u0433\u0456\u0457 \u0442\u0430 \u0434\u0438\u0437\u0430\u0439\u043d. \u2013 2018. \u2013 \u21161 (26).<\/li>\n<li>Zasornova I. <a href=\"http:\/\/vat.ft.tul.cz\/2021\/3\/VaT_2021_3_12.pdf\">Usage of augmented reality technologies in the light industry<\/a> \/ Iryna Zasornova, Oksana Zakharkevich, Alexander Zasornov, Svetlana Kuleshova, Julia Koshevko and Tetiana Sharan \/\/ Vlakna a Textil (Fibres and Textiles).\u2013 2021. \u2013 \u2116 3(28). \u2013 \u0420. 106\u2013118.<\/li>\n<li>\u0421\u0442\u0430\u043d\u043a\u043e \u0410.\u042e. <a href=\"http:\/\/elar.khnu.km.ua\/handle\/123456789\/8821\">\u0414\u0438\u0437\u0430\u0439\u043d-\u043f\u0440\u043e\u0435\u043a\u0442\u0443\u0432\u0430\u043d\u043d\u044f \u0430\u0432\u0442\u043e\u0440\u0441\u044c\u043a\u043e\u0433\u043e \u0430\u043d\u0441\u0430\u043c\u0431\u043b\u044e \u043e\u0434\u044f\u0433\u0443 \u0437 \u0432\u0438\u043a\u043e\u0440\u0438\u0441\u0442\u0430\u043d\u043d\u044f\u043c \u043f\u0440\u0438\u043d\u0442\u0443 \u00ab\u0435\u0444\u0435\u043a\u0442 \u0434\u0435\u0433\u0440\u0430\u0434\u0435\u00bb<\/a> \/ \u0410.\u042e. \u0421\u0442\u0430\u043d\u043a\u043e, \u041c. \u041b\u0443\u0449\u0435\u0432\u0441\u044c\u043a\u0430 \/\/ \u0412\u0456\u0441\u043d\u0438\u043a \u0425\u043c\u0435\u043b\u044c\u043d\u0438\u0446\u044c\u043a\u043e\u0433\u043e \u043d\u0430\u0446\u0456\u043e\u043d\u0430\u043b\u044c\u043d\u043e\u0433\u043e \u0443\u043d\u0456\u0432\u0435\u0440\u0441\u0438\u0442\u0435\u0442\u0443. \u0422\u0435\u0445\u043d\u0456\u0447\u043d\u0456 \u043d\u0430\u0443\u043a\u0438. \u2013 2019. \u2013 \u2116 6. \u2013 \u0421. 58\u201363. \u2013 DOI : 10.31891\/2307-5732-2019-279-6-58-63<\/li>\n<li>\u041a\u0440\u0430\u0441\u043d\u044e\u043a \u041b.\u0412. \u041f\u0440\u043e\u0435\u043a\u0442\u0443\u0432\u0430\u043d\u043d\u044f \u0430\u0432\u0442\u043e\u0440\u0441\u044c\u043a\u043e\u0457 \u043a\u043e\u043b\u0435\u043a\u0446\u0456\u0457 \u0436\u0456\u043d\u043e\u0447\u043e\u0433\u043e \u043e\u0434\u044f\u0433\u0443 \u0432 \u0435\u043a\u043e-\u0441\u0442\u0438\u043b\u0456 \u0456\u0437 \u0432\u0438\u043a\u043e\u0440\u0438\u0441\u0442\u0430\u043d\u043d\u044f\u043c \u043e\u0437\u0434\u043e\u0431\u043b\u0435\u043d\u043d\u044f \u0432 \u0442\u0435\u0445\u043d\u0456\u0446\u0456 \u0432\u0438\u0431\u0456\u0439\u043a\u0438 \/ \u041b.\u0412. \u041a\u0440\u0430\u0441\u043d\u044e\u043a, \u041c.\u0412. \u041c\u0430\u0442\u0440\u043e\u0444\u0430\u0439\u043b\u043e, \u041e.\u041c. \u0422\u0440\u043e\u044f\u043d \/\/ Art and Desig. \u2013 2018. \u2013 \u2116 3. \u2013 \u0421.\u00a096\u2013106. \u2013 DOI: 10.30857\/2617-0272.2018.3.9.<\/li>\n<li>\u0411\u0430\u0431\u0438\u0447 \u0410.\u0406. \u0420\u043e\u0437\u0440\u043e\u0431\u043a\u0430 \u043a\u043e\u043b\u0435\u043a\u0446\u0456\u0457 \u0436\u0456\u043d\u043e\u0447\u043e\u0433\u043e \u0432\u0437\u0443\u0442\u0442\u044f \u0432 \u0435\u043a\u043e\u0441\u0442\u0438\u043b\u0456 \u0437 \u0432\u0436\u0438\u0432\u0430\u043d\u0438\u0445 \u0440\u0435\u0447\u0435\u0439 \/ \u0410.\u0406. \u0411\u0430\u0431\u0438\u0447, \u041d.\u041c.\u0411\u043e\u0440\u0449\u0435\u0432\u0441\u044c\u043a\u0430, \u041b.\u041e. \u0424\u0435\u0434\u043e\u0440\u0435\u043d\u043a\u043e, \u0410.\u041e. \u0411\u0430\u0431\u0438\u0447 \/\/ \u0412\u0456\u0441\u043d\u0438\u043a \u0425\u043c\u0435\u043b\u044c\u043d\u0438\u0446\u044c\u043a\u043e\u0433\u043e \u043d\u0430\u0446\u0456\u043e\u043d\u0430\u043b\u044c\u043d\u043e\u0433\u043e \u0443\u043d\u0456\u0432\u0435\u0440\u0441\u0438\u0442\u0435\u0442\u0443. \u0422\u0435\u0445\u043d\u0456\u0447\u043d\u0456 \u043d\u0430\u0443\u043a\u0438. \u2013 2020. \u2013 \u2116 3. \u2013 \u0421. 198\u2013203.<\/li>\n<li>\u0420\u043e\u0434\u0438\u0433\u0456\u043d\u0430 \u0410. 20 \u0432\u0456\u0434\u043e\u043c\u0438\u0445 \u0443\u043a\u0440\u0430\u0457\u043d\u0441\u044c\u043a\u0438\u0445 sustainable-\u0431\u0440\u0435\u043d\u0434\u0456\u0432 \/ \u0410\u043b\u043b\u0430 \u0420\u043e\u0434\u0438\u0433\u0456\u043d\u0430 [\u0415\u043b\u0435\u043a\u0442\u0440\u043e\u043d\u043d\u0438\u0439 \u0440\u0435\u0441\u0443\u0440\u0441]. \u2013 \u0420\u0435\u0436\u0438\u043c \u0434\u043e\u0441\u0442\u0443\u043f\u0443 : https:\/\/elle.ua\/moda\/fashion-blog\/20-vdomih-ukranskih-sustainable-brendv\/ (\u0434\u0430\u0442\u0430 \u0437\u0432\u0435\u0440\u043d\u0435\u043d\u043d\u044f: 21.06.2022)<\/li>\n<li>\u041a\u043e\u043b\u043e\u0441\u043d\u0456\u0447\u0435\u043d\u043a\u043e \u041c.\u0412. \u0420\u0435\u0442\u0440\u043e\u0441\u043f\u0435\u043a\u0442\u0438\u0432\u043d\u0456\u0441\u0442\u044c \u044f\u043a \u043f\u0440\u043e\u0435\u043a\u0442\u043d\u0430 \u043f\u0440\u0430\u043a\u0442\u0438\u043a\u0430 \u0444\u043e\u0440\u043c\u0443\u0432\u0430\u043d\u043d\u044f \u0430\u043a\u0442\u0443\u0430\u043b\u044c\u043d\u0438\u0445 \u043e\u0431\u0440\u0430\u0437\u0456\u0432 \u0443 \u0441\u0438\u0441\u0442\u0435\u043c\u0456 \u043c\u043e\u0434\u0438 \u0425\u0425\u0406 \u0441\u0442\u043e\u043b\u0456\u0442\u0442\u044f \/ \u041c.\u0412. \u041a\u043e\u043b\u043e\u0441\u043d\u0456\u0447\u0435\u043d\u043a\u043e, \u041d.\u0412. \u0427\u0443\u043f\u0440\u0456\u043d\u0430 \/\/ \u0412\u0456\u0441\u043d\u0438\u043a \u041d\u0430\u0446\u0456\u043e\u043d\u0430\u043b\u044c\u043d\u043e\u0457 \u0430\u043a\u0430\u0434\u0435\u043c\u0456\u0457 \u043a\u0435\u0440\u0456\u0432\u043d\u0438\u0445 \u043a\u0430\u0434\u0440\u0456\u0432 \u043a\u0443\u043b\u044c\u0442\u0443\u0440\u0438 \u0456 \u043c\u0438\u0441\u0442\u0435\u0446\u0442\u0432. \u2013 2019. \u2013 \u2116 2. \u2013 \u0421. 386\u2013391.<\/li>\n<li>\u0427\u0443\u043f\u0440\u0456\u043d\u0430 \u041d.\u0412. \u0415\u043a\u043b\u0435\u043a\u0442\u0438\u0437\u043c \u044f\u043a \u043e\u0441\u043d\u043e\u0432\u0430 \u043f\u0440\u043e\u0435\u043a\u0442\u043d\u0438\u0445 \u043f\u0440\u0430\u043a\u0442\u0438\u043a \u0443 \u0441\u0443\u0447\u0430\u0441\u043d\u0456\u0439 \u0441\u0438\u0441\u0442\u0435\u043c\u0456 \u043c\u043e\u0434\u0438 \/ \u041d.\u0412. \u0427\u0443\u043f\u0440\u0456\u043d\u0430, \u041c.\u0412. \u041a\u043e\u043b\u043e\u0441\u043d\u0456\u0447\u0435\u043d\u043a\u043e \/\/ \u0414\u0438\u0437\u0430\u0439\u043d \u043e\u0434\u044f\u0433\u0443 \u0432 \u043f\u043e\u043b\u0456\u043a\u0443\u043b\u044c\u0442\u0443\u0440\u043d\u043e\u043c\u0443 \u043f\u0440\u043e\u0441\u0442\u043e\u0440\u0456 : \u043c\u043e\u043d\u043e\u0433\u0440\u0430\u0444\u0456\u044f \/ \u041c.\u0412. \u041a\u043e\u043b\u043e\u0441\u043d\u0456\u0447\u0435\u043d\u043a\u043e, \u041a.\u041b.\u041f\u0430\u0448\u043a\u0435\u0432\u0438\u0447, \u0422.\u0424. \u041a\u0440\u043e\u0442\u043e\u0432\u0430 \u0442\u0430 \u0456\u043d. \u2013 \u041a\u0438\u0457\u0432 : \u041a\u041d\u0423\u0422\u0414, 2020. \u2013 \u0421. 88\u2013105.<\/li>\n<li>\u041d\u0456\u043a\u043e\u043b\u0430\u0454\u0432\u0430 \u0422. \u0412. \u0425\u0443\u0434\u043e\u0436\u043d\u044c\u043e-\u043a\u043e\u043c\u043f\u043e\u0437\u0438\u0446\u0456\u0439\u043d\u0456 \u043e\u0441\u043e\u0431\u043b\u0438\u0432\u043e\u0441\u0442\u0456 \u0432\u0438\u043a\u043e\u0440\u0438\u0441\u0442\u0430\u043d\u043d\u044f \u0435\u043b\u0435\u043c\u0435\u043d\u0442\u0456\u0432 \u0441\u0442\u0438\u043b\u044e \u0432\u0456\u043d\u0442\u0430\u0436 \u0432 \u0434\u0438\u0437\u0430\u0439\u043d\u0456 \u0441\u0443\u0447\u0430\u0441\u043d\u043e\u0433\u043e \u043e\u0434\u044f\u0433\u0443 \/ \u0422.\u0412. \u041d\u0456\u043a\u043e\u043b\u0435\u0454\u0432\u0430, \u0406. \u041b. \u0413\u0430\u0439\u043e\u0432\u0430, \u0406. \u0412. \u0414\u0430\u0432\u0438\u0434\u0435\u043d\u043a\u043e \/\/ Art and Design: \u041c\u0438\u0441\u0442\u0435\u0446\u0442\u0432\u043e\u0437\u043d\u0430\u0432\u0441\u0442\u0432\u043e. \u0422\u0435\u0445\u043d\u0456\u0447\u043d\u0456 \u043d\u0430\u0443\u043a\u0438. \u2013 2019. \u2013 \u2116 1. \u2013 \u0421. 127\u2013139. \u2013 DOI: 10.30857\/2617-0272.2019.11.<\/li>\n<li>Chuprina N.V. Formation of fashion system in the XX &#8211; the beginning of the XXI century \/ N.V.Chuprina, T.F. Krotova, K.L. Pashkevich, T.V. Kara-Vasylieva and M.V. Kolosnichenko \/\/ Vlakna a Textil. \u2013 2020. \u2013 \u2116 27(4). \u2013 \u0420. 48\u201357.<\/li>\n<li>\u0411\u0456\u043b\u044f\u043a\u043e\u0432\u0438\u0447 \u041b. \u0422\u0435\u043c\u043f\u043e\u0440\u0430\u043b\u044c\u043d\u0456\u0441\u0442\u044c \u0443 \u0441\u0442\u0440\u0443\u043a\u0442\u0443\u0440\u0456 \u043c\u043e\u0434\u043d\u0438\u0445 \u0442\u0440\u0435\u043d\u0434\u0456\u0432: \u0441\u0443\u0442\u043d\u0456\u0441\u0442\u044c, \u0434\u0438\u043d\u0430\u043c\u0456\u043a\u0430, \u043f\u0440\u043e\u0433\u043d\u043e\u0437\u0443\u0432\u0430\u043d\u043d\u044f \/<br \/>\n\u041b. \u0411\u0456\u043b\u044f\u043a\u043e\u0432\u0438\u0447 \/\/ \u0412\u0456\u0441\u043d\u0438\u043a \u041b\u044c\u0432\u0456\u0432\u0441\u044c\u043a\u043e\u0457 \u043d\u0430\u0446\u0456\u043e\u043d\u0430\u043b\u044c\u043d\u043e\u0457 \u0430\u043a\u0430\u0434\u0435\u043c\u0456\u0457 \u043c\u0438\u0441\u0442\u0435\u0446\u0442\u0432. \u2013 2018. \u2013 \u0412\u0438\u043f. 36. \u2013 \u0421. 229\u2013244.<\/li>\n<li>\u0413\u0430\u043b\u0443\u0434\u0437\u0456\u043d\u0430-\u0413\u043e\u0440\u043e\u0431\u0435\u0446\u044c \u0412.\u0406. \u00ab\u0406\u0441\u0442\u043e\u0440\u0438\u0437\u043c\u00bb \u0443 \u0434\u0438\u0437\u0430\u0439\u043d\u0456 \u043e\u0434\u044f\u0433\u0443 \u0434\u0440\u0443\u0433\u043e\u0457 \u043f\u043e\u043b\u043e\u0432\u0438\u043d\u0438 \u0425\u0425 \u2013 \u043f\u043e\u0447\u0430\u0442\u043a\u0443 \u0425\u0425\u0406 \u0441\u0442.: \u0442\u0435\u043e\u0440\u0435\u0442\u0438\u043a\u043e-\u043c\u0435\u0442\u043e\u0434\u043e\u043b\u043e\u0433\u0456\u0447\u043d\u0438\u0439 \u0430\u0441\u043f\u0435\u043a\u0442 \/ \u0412.\u0406. \u0413\u0430\u043b\u0443\u0434\u0437\u0456\u043d\u0430-\u0413\u043e\u0440\u043e\u0431\u0435\u0446\u044c \/\/ \u0412\u0456\u0441\u043d\u0438\u043a \u041b\u044c\u0432\u0456\u0432\u0441\u044c\u043a\u043e\u0457 \u043d\u0430\u0446\u0456\u043e\u043d\u0430\u043b\u044c\u043d\u043e\u0457 \u0430\u043a\u0430\u0434\u0435\u043c\u0456\u0457 \u043c\u0438\u0441\u0442\u0435\u0446\u0442\u0432. \u2013 2018. \u2013 \u2116 38. \u2013 \u0421. 93\u2013111.<\/li>\n<li>Fudimova E. The Concepts of Historical Costume Reenactment \/ E. Fudimova \/\/ IOP Conference Series: Materials Science and Engineering. 1079 (04). 042097. \u2013 2021. \u2013 DOI: <a href=\"http:\/\/dx.doi.org\/10.1088\/1757-899X\/1079\/4\/042097\">1088\/1757-899X\/1079\/4\/042097<\/a>.<\/li>\n<li>\u0414\u0421\u0422\u0423 2027-92. \u0412\u0438\u0440\u043e\u0431\u0438 \u0448\u0432\u0435\u0439\u043d\u0456 \u0439 \u0442\u0440\u0438\u043a\u043e\u0442\u0430\u0436\u043d\u0456. \u0422\u0435\u0440\u043c\u0456\u043d\u0438 \u0442\u0430 \u0432\u0438\u0437\u043d\u0430\u0447\u0435\u043d\u043d\u044f. \u2013 [\u0427\u0438\u043d\u043d\u0438\u0439 \u0432\u0456\u0434 01.01.1993]. \u2013 \u041a. : \u0414\u0435\u0440\u0436\u0441\u0442\u0430\u043d\u0434\u0430\u0440\u0442 \u0423\u043a\u0440\u0430\u0457\u043d\u0438, 1992. \u2013 20 \u0441. \u2013 (\u0414\u0435\u0440\u0436\u0430\u0432\u043d\u0438\u0439 \u0441\u0442\u0430\u043d\u0434\u0430\u0440\u0442 \u0423\u043a\u0440\u0430\u0457\u043d\u0438)<\/li>\n<li>\u041a\u0435\u0439\u043f. \u042d\u043d\u0446\u0438\u043a\u043b\u043e\u043f\u0435\u0434\u0438\u044f \u043c\u043e\u0434\u044b [\u0415\u043b\u0435\u043a\u0442\u0440\u043e\u043d\u043d\u0438\u0439 \u0440\u0435\u0441\u0443\u0440\u0441] \/\/ Casual : \u0436\u0435\u043d\u0441\u043a\u0438\u0439 \u0436\u0443\u0440\u043d\u0430\u043b \u043e \u043c\u043e\u0434\u0435, \u0441\u0442\u0438\u043b\u0435 \u0438 \u043a\u0440\u0430\u0441\u043e\u0442\u0435. \u2013 \u0420\u0435\u0436\u0438\u043c \u0434\u043e\u0441\u0442\u0443\u043f\u0443 : https:\/\/www.casual-info.ru\/wiki\/\u041a\u0435\u0439\u043f (\u0434\u0430\u0442\u0430 \u0437\u0432\u0435\u0440\u043d\u0435\u043d\u043d\u044f 19.06.2022)<\/li>\n<li>Visual Dictionary In Textiles &amp; Apparel \/ E. Elnashar, O. Zakharkevich, G. Shvets, A. Selezneva. \u2013 Khmelnytsky : KhNU, 2019. \u2013 183 p.<\/li>\n<li>\u041c\u043e\u0434\u043d\u044b\u0435 \u043f\u0430\u043b\u044c\u0442\u043e-\u043a\u0435\u0439\u043f \u2013 2017 [\u0415\u043b\u0435\u043a\u0442\u0440\u043e\u043d\u043d\u0438\u0439 \u0440\u0435\u0441\u0443\u0440\u0441]. \u2013 \u0420\u0435\u0436\u0438\u043c \u0434\u043e\u0441\u0442\u0443\u043f\u0443 : https:\/\/modnaya.org\/verhnyaya-odezhda\/6753-modnye-palto-keyp-2017.html (\u0434\u0430\u0442\u0430 \u0437\u0432\u0435\u0440\u043d\u0435\u043d\u043d\u044f 21.06.2022)<\/li>\n<li>\u0422\u0440\u0435\u043d\u0434 \u043e\u0441\u0435\u043d\u0438 \u2014 2019: \u0417\u0430\u0447\u0435\u043c \u043d\u0430\u043c \u043d\u0443\u0436\u043d\u044b \u043a\u0435\u0439\u043f\u044b \u0432 \u0433\u0430\u0440\u0434\u0435\u0440\u043e\u0431\u0435 \u0438 \u043a\u0430\u043a \u0438\u0445 \u043f\u0440\u0430\u0432\u0438\u043b\u044c\u043d\u043e \u043d\u043e\u0441\u0438\u0442\u044c [\u0415\u043b\u0435\u043a\u0442\u0440\u043e\u043d\u043d\u0438\u0439 \u0440\u0435\u0441\u0443\u0440\u0441]. \u2013 \u0420\u0435\u0436\u0438\u043c \u0434\u043e\u0441\u0442\u0443\u043f\u0443 : https:\/\/officiel-online.com\/lmoda\/trendy\/how-to-wear-cape-autumn-2019\/ (\u0434\u0430\u0442\u0430 \u0437\u0432\u0435\u0440\u043d\u0435\u043d\u043d\u044f 21.06.2022)<\/li>\n<li>\u041c\u043e\u0434\u043d\u044b\u0435 \u043a\u0435\u0439\u043f\u044b \u043e\u0441\u0435\u043d\u044c-\u0437\u0438\u043c\u0430 2020-2021 [\u0415\u043b\u0435\u043a\u0442\u0440\u043e\u043d\u043d\u0438\u0439 \u0440\u0435\u0441\u0443\u0440\u0441]. \u2013 \u0420\u0435\u0436\u0438\u043c \u0434\u043e\u0441\u0442\u0443\u043f\u0443 : https:\/\/www.fashion-woman.com\/stil-i-moda\/must-have\/keyp-must-have-oseni\/ (\u0434\u0430\u0442\u0430 \u0437\u0432\u0435\u0440\u043d\u0435\u043d\u043d\u044f 21.06.2022)<\/li>\n<li>\u0421\u0430\u043c\u044b\u0435 \u043c\u043e\u0434\u043d\u044b\u0435 \u043a\u0435\u0439\u043f\u044b \u043e\u0441\u0435\u043d\u044c-\u0437\u0438\u043c\u0430 2021\/2022 \u2013 Vogue Ukraine \u0415\u043b\u0435\u043a\u0442\u0440\u043e\u043d\u043d\u0438\u0439 \u0440\u0435\u0441\u0443\u0440\u0441]. \u2013 \u0420\u0435\u0436\u0438\u043c \u0434\u043e\u0441\u0442\u0443\u043f\u0443 : https:\/\/vogue.ua\/article\/fashion\/tendencii\/samye-modnye-keypy-osen-zima-2021-2022.html<\/li>\n<li>\u041a\u043e\u0440\u043e\u043b\u0435\u0432\u0441\u043a\u0438\u0439 \u0432\u044b\u0445\u043e\u0434: \u043a\u0430\u043a \u043a\u0435\u0439\u043f\u044b \u0432\u043d\u043e\u0432\u044c \u043e\u043a\u0430\u0437\u0430\u043b\u0438\u0441\u044c \u043d\u0430 \u043e\u0441\u0442\u0440\u0438\u0435 \u043c\u043e\u0434\u044b. Wonderzine [\u0415\u043b\u0435\u043a\u0442\u0440\u043e\u043d\u043d\u0438\u0439 \u0440\u0435\u0441\u0443\u0440\u0441]. \u2013 \u0420\u0435\u0436\u0438\u043c \u0434\u043e\u0441\u0442\u0443\u043f\u0443 : https:\/\/www.wonderzine.com\/wonderzine\/style\/trends\/246263-cape (\u0434\u0430\u0442\u0430 \u0437\u0432\u0435\u0440\u043d\u0435\u043d\u043d\u044f 19.06.2022)<\/li>\n<li>\u0420\u043e\u0442\u043e\u043d\u0434\u0430, \u0441\u0430\u043a, \u0441\u0430\u043b\u043e\u043f, \u0431\u0443\u0440\u043d\u0443\u0441, \u0442\u0430\u043b\u044c\u043c\u0430, \u043c\u0430\u043d\u0442\u0438\u043b\u044c\u044f, \u043a\u043b\u043e\u043a [\u0415\u043b\u0435\u043a\u0442\u0440\u043e\u043d\u043d\u0438\u0439 \u0440\u0435\u0441\u0443\u0440\u0441]. \u2013 \u0420\u0435\u0436\u0438\u043c \u0434\u043e\u0441\u0442\u0443\u043f\u0443 : https:\/\/antique-fashion.livejournal.com\/90084.html? (\u0434\u0430\u0442\u0430 \u0437\u0432\u0435\u0440\u043d\u0435\u043d\u043d\u044f 19.06.2022)<\/li>\n<\/ol>\n<p style=\"text-align: center;\"><strong>References<\/strong><\/p>\n<ol>\n<li>Iaremenko I.M. Retrospektyvnyi analiz ta suchasne bachennia modnoho keip \/ I.M. Yaremenko, O.A. Ditkovska \/\/ Tezy dopovidei KhVIII Vseukrainskoi naukovoi konferentsii molodykh vchenykh ta studentiv \u00abNaukovi rozrobky molodi na suchasnomu etapi\u00bb. \u2013 Kyiv, KNUTD. 18-19 kvitnia 2019. \u2013 Tom 1. \u2013 S. 57\u201358.<\/li>\n<li>Krasniuk L. Designing the authors collection of womens clothing with the use of painting as the source of inspiration \/ L. Krasniuk, O. Troyan \/\/ Vlakna a Textil (Fibres and Textiles). \u2013 2020. \u2013 \u2116 3 (27). \u2013 R. 97\u2013102.<\/li>\n<li>Pecherska V.P. Doslidzhennia khudozhno-kompozytsiinykh kharakterystyk elementiv tvorchosti Fernana Lezhe z metoiu rozrobky suchasnoi kolektsii odiahu \/ V.P. Pecherska, N.V. Chuprina, N.I. Kudriavtseva \/\/ Tekhnolohii ta dyzain. \u2013 2019. \u2013 \u2116 1 (30).<\/li>\n<li>Kyiashko M.S. Vyvchennia khudozhno-kompozytsiinykh kharakterystyk kostiuma trypilskoi kultury v proektuvanni suchasnykh kolektsii odiahu \/ M.S. Kyiashko, T.V. Nikolaieva, T.I. Nikolaieva \/\/ Tekhnolohii ta dyzain. \u2013 2018. \u2013 \u2116 2(27).<\/li>\n<li>Abramova O.V. Dyzain-proiektuvannia avtorskoi kolektsii odiahu z vykorystanniam tekhniky pechvork \/ O.V. Abramova, O.V.\u00a0Yezhova, L.O. Chystiakova, I.O. Kudrevych \/\/ Art and Design. \u2013 2020. \u2013 \u2116 1. \u2013 S. 28\u201340. \u2013 DOI: 10.30857\/2617-0272.2020.1.2.<\/li>\n<li>Krasniuk L.V. Dyzain-proektuvannia avtorskoi kolektsii odiahu v romantychnomu styli \/ L.V. Krasniuk, O.M. Troian, K.M.\u00a0Turzhanska, Yu.S. Hlushko \/\/ Art and Design. \u2013 2019. \u2013 \u2116 3. \u2013 S. 77\u201388.<\/li>\n<li>Vasylieva O.S. Arkhitektura yak dzherelo natkhnennia dlia rozrobky avtorskykh kolektsii odiahu \/ O.S. Vasylieva, M.S.\u00a0Vynnychuk, I.V. Vasylieva, I.V. Oliinyk \/\/ Art and Design. \u2013 2020. \u2013 \u2116 1 (09). \u2013 S. 70\u201381. DOI: 10.30857\/2617-0272.2020.1.5.<\/li>\n<li>Markova A.V. Vyvchennia vzaiemodii khudozhno-kompozytsiinykh kharakterystyk neofuturystychnoho napriamku ta bionichnoho formoutvorennia dlia proektuvannia suchasnykh kolektsii \/ A. V. Markova, N. O. Naumenko, A. L. Chebanova, T. I. Nikolaieva \/\/ Tekhnolohii ta dyzain. \u2013 2018. \u2013 \u21161 (26).<\/li>\n<li>Zasornova I. Usage of augmented reality technologies in the light industry \/ Iryna Zasornova, Oksana Zakharkevich, Alexander Zasornov, Svetlana Kuleshova, Julia Koshevko and Tetiana Sharan \/\/ Vlakna a Textil (Fibres and Textiles).\u2013 2021. \u2013 \u2116 3(28). \u2013 R. 106\u2013118.<\/li>\n<li>Stanko A.Iu. Dyzain-proektuvannia avtorskoho ansambliu odiahu z vykorystanniam pryntu \u00abefekt dehrade\u00bb \/ A.Iu. Stanko, M.\u00a0Lushchevska \/\/ Visnyk Khmelnytskoho natsionalnoho universytetu. Tekhnichni nauky. \u2013 2019. \u2013 \u2116 6. \u2013 S. 58\u201363. \u2013 DOI : 10.31891\/2307-5732-2019-279-6-58-63<\/li>\n<li>Krasniuk L.V. Proektuvannia avtorskoi kolektsii zhinochoho odiahu v eko-styli iz vykorystanniam ozdoblennia v tekhnitsi vybiiky \/ L.V. Krasniuk, M.V. Matrofailo, O.M. Troian \/\/ Art and Desig. \u2013 2018. \u2013 \u2116 3. \u2013 S. 96\u2013106. \u2013 DOI: 10.30857\/2617-0272.2018.3.9.<\/li>\n<li>Babych A.I. Rozrobka kolektsii zhinochoho vzuttia v ekostyli z vzhyvanykh rechei \/ A.I. Babych, N.M. Borshchevska, L.O.\u00a0Fedorenko, A.O. Babych \/\/ Visnyk Khmelnytskoho natsionalnoho universytetu. Tekhnichni nauky. \u2013 2020. \u2013 \u2116 3. \u2013 S. 198\u2013203.<\/li>\n<li>Rodyhina A. 20 vidomykh ukrainskykh sustainable-brendiv \/ Alla Rodyhina [Elektronnyi resurs]. \u2013 Rezhym dostupu : https:\/\/elle.ua\/moda\/fashion-blog\/20-vdomih-ukranskih-sustainable-brendv\/ (data zvernennia: 21.06.2022)<\/li>\n<li>Kolosnichenko M.V. Retrospektyvnist yak proektna praktyka formuvannia aktualnykh obraziv u systemi mody KhKhI stolittia \/ M.V. Kolosnichenko, N.V. Chuprina \/\/ Visnyk Natsionalnoi akademii kerivnykh kadriv kultury i mystetstv. \u2013 2019. \u2013 \u2116 2. \u2013 386\u2013391.<\/li>\n<li>Chuprina N.V. Eklektyzm yak osnova proektnykh praktyk u suchasnii systemi mody \/ N.V. Chuprina, M.V. Kolosnichenko \/\/ Dyzain odiahu v polikulturnomu prostori : monohrafiia \/ M.V. Kolosnichenko, K.L. Pashkevych, T.F. Krotova ta in. \u2013 Kyiv : KNUTD, 2020. \u2013 S.\u00a088\u2013105.<\/li>\n<li>Nikolaieva T. V. Khudozhno-kompozytsiini osoblyvosti vykorystannia elementiv styliu vintazh v dyzaini suchasnoho odiahu \/ T.V. Nikoleieva, I. L. Haiova, I. V. Davydenko \/\/ Art and Design: Mystetstvoznavstvo. Tekhnichni nauky. \u2013 2019. \u2013 \u2116 1. \u2013 S. 127\u2013139. \u2013 DOI: 10.30857\/2617-0272.2019.11.<\/li>\n<li>Chuprina N.V. Formation of fashion system in the XX &#8211; the beginning of the XXI century \/ N.V. Chuprina, T.F. Krotova, K.L.\u00a0Pashkevich, T.V. Kara-Vasylieva and M.V. Kolosnichenko \/\/ Vlakna a Textil. \u2013 2020. \u2013 \u2116 27(4). \u2013 R. 48\u201357.<\/li>\n<li>Biliakovych L. Temporalnist u strukturi modnykh trendiv: sutnist, dynamika, prohnozuvannia \/ L. Biliakovych \/\/ Visnyk Lvivskoi natsionalnoi akademii mystetstv. \u2013 2018. \u2013 Vyp. 36. \u2013 S. 229\u2013244.<\/li>\n<li>Haludzina-Horobets V.I. \u00abIstoryzm\u00bb u dyzaini odiahu druhoi polovyny KhKh \u2013 pochatku KhKhI st.: teoretyko-metodolohichnyi aspekt \/ V.I. Haludzina-Horobets \/\/ Visnyk Lvivskoi natsionalnoi akademii mystetstv. \u2013 2018. \u2013 \u2116 38. \u2013 S. 93\u2013111.<\/li>\n<li>Fudimova E. The Concepts of Historical Costume Reenactment \/ E. Fudimova \/\/ IOP Conference Series: Materials Science and Engineering. 1079 (04). 042097. \u2013 2021. \u2013 DOI: 10.1088\/1757-899X\/1079\/4\/042097.<\/li>\n<li>DSTU 2027-92. Vyroby shveini y trykotazhni. Terminy ta vyznachennia. \u2013 [Chynnyi vid 01.01.1993]. \u2013 K. : Derzhstandart Ukrainy, 1992. \u2013 20 s. \u2013 (Derzhavnyi standart Ukrainy)<\/li>\n<li>Jenciklopedija mody [Elektronnij resurs] \/\/ Casual : zhenskij zhurnal o mode, stile i krasote. \u2013 Rezhim dostupu : https:\/\/www.casual-info.ru\/wiki\/Kejp (data zvernennja 19.06.2022)<\/li>\n<li>Visual Dictionary In Textiles &amp; Apparel \/ E. Elnashar, O. Zakharkevich, G. Shvets, A. Selezneva. \u2013 Khmelnytsky : KhNU, 2019. \u2013 183 p.<\/li>\n<li>Modnye pal&#8217;to-kejp \u2013 2017 [Elektronnij resurs]. \u2013 Rezhim dostupu : https:\/\/modnaya.org\/verhnyaya-odezhda\/6753-modnye-palto-keyp-2017.html (data zvernennja 21.06.2022)<\/li>\n<li>Trend oseni \u2014 2019: Zachem nam nuzhny kejpy v garderobe i kak ih pravil&#8217;no nosit&#8217;-Lofficiel [Elektronnij resurs]. \u2013 Rezhim dostupu : https:\/\/officiel-online.com\/lmoda\/trendy\/how-to-wear-cape-autumn-2019\/ (data zvernennja 21.06.2022)<\/li>\n<li>Modnye kejpy osen&#8217;-zima 2020-2021 [Elektronnij resurs]. \u2013 Rezhim dostupu : https:\/\/www.fashion-woman.com\/stil-i-moda\/must-have\/keyp-must-have-oseni\/ (data zvernennja 21.06.2022)<\/li>\n<li>Samye modnye kejpy osen&#8217;-zima 2021\/2022 \u2013 Vogue Ukraine Elektronnij resurs]. \u2013 Rezhim dostupu : https:\/\/vogue.ua\/article\/fashion\/tendencii\/samye-modnye-keypy-osen-zima-2021-2022.html<\/li>\n<li>Korolevskij vyhod: kak kejpy vnov&#8217; okazalis&#8217; na ostrie mody. Wonderzine [Elektronnij resurs]. \u2013 Rezhim dostupu : https:\/\/www.wonderzine.com\/wonderzine\/style\/trends\/246263-cape (data zvernennja 19.06.2022)<\/li>\n<li>Rotonda, sak, salop, burnus, talma, mantylia, klok [Elektronnyi resurs]. \u2013 Rezhym dostupu : https:\/\/antique-fashion.livejournal.com\/90084.html? (data zvernennia 19.06.2022)<\/li>\n<\/ol>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[67],"tags":[],"_links":{"self":[{"href":"https:\/\/journals.khnu.km.ua\/vestnik\/index.php?rest_route=\/wp\/v2\/posts\/13410"}],"collection":[{"href":"https:\/\/journals.khnu.km.ua\/vestnik\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/journals.khnu.km.ua\/vestnik\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/journals.khnu.km.ua\/vestnik\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/journals.khnu.km.ua\/vestnik\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=13410"}],"version-history":[{"count":6,"href":"https:\/\/journals.khnu.km.ua\/vestnik\/index.php?rest_route=\/wp\/v2\/posts\/13410\/revisions"}],"predecessor-version":[{"id":14120,"href":"https:\/\/journals.khnu.km.ua\/vestnik\/index.php?rest_route=\/wp\/v2\/posts\/13410\/revisions\/14120"}],"wp:attachment":[{"href":"https:\/\/journals.khnu.km.ua\/vestnik\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=13410"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/journals.khnu.km.ua\/vestnik\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=13410"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/journals.khnu.km.ua\/vestnik\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=13410"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}