{"id":1701,"date":"2021-01-16T18:49:50","date_gmt":"2021-01-16T16:49:50","guid":{"rendered":"http:\/\/journals.khnu.km.ua\/vestnik\/?p=1701"},"modified":"2021-04-19T13:00:00","modified_gmt":"2021-04-19T10:00:00","slug":"%d0%b2%d1%96%d0%b7%d1%83%d0%b0%d0%bb%d1%8c%d0%bd%d1%96-%d0%bf%d0%bb%d0%b0%d1%82%d1%84%d0%be%d1%80%d0%bc%d0%b8-%d1%8f%d0%ba-%d1%81%d0%bf%d0%be%d1%81%d1%96%d0%b1-%d0%bf%d1%80%d0%be%d1%81%d1%83%d0%b2","status":"publish","type":"post","link":"https:\/\/journals.khnu.km.ua\/vestnik\/?p=1701","title":{"rendered":"\u0412\u0456\u0437\u0443\u0430\u043b\u044c\u043d\u0456 \u043f\u043b\u0430\u0442\u0444\u043e\u0440\u043c\u0438 \u044f\u043a \u0441\u043f\u043e\u0441\u0456\u0431 \u043f\u0440\u043e\u0441\u0443\u0432\u0430\u043d\u043d\u044f \u0432\u043b\u0430\u0441\u043d\u043e\u0457 \u0444\u043e\u0442\u043e\u0442\u0432\u043e\u0440\u0447\u043e\u0441\u0442\u0456 \u0442\u0430 \u0432\u0437\u0430\u0454\u043c\u043e\u0434\u0456\u0457 \u0437 \u0430\u0443\u0434\u0438\u0442\u043e\u0440\u0456\u0454\u044e"},"content":{"rendered":"<p style=\"text-align: center;\">\u0412\u0406\u0417\u0423\u0410\u041b\u042c\u041d\u0406 \u041f\u041b\u0410\u0422\u0424\u041e\u0420\u041c\u0418 \u042f\u041a \u0421\u041f\u041e\u0421\u0406\u0411 \u041f\u0420\u041e\u0421\u0423\u0412\u0410\u041d\u041d\u042f \u0412\u041b\u0410\u0421\u041d\u041e\u0407 \u0424\u041e\u0422\u041e\u0422\u0412\u041e\u0420\u0427\u041e\u0421\u0422\u0406 \u0422\u0410 \u0412\u0417\u0410\u0404\u041c\u041e\u0414\u0406\u0407 \u0417 \u0410\u0423\u0414\u0418\u0422\u041e\u0420\u0406\u0404\u042e<\/p>\n<p style=\"text-align: center;\">VISUAL PLATFORMS AS A WAY OF PROMOTING YOUR OWN PHOTO-CREATIVITY AND INTERACTION WITH AUDIENCE<\/p>\n<p><a href=\"http:\/\/journals.khnu.km.ua\/vestnik\/wp-content\/uploads\/2021\/01\/47-2.pdf\"><img src=\"http:\/\/journals.khnu.km.ua\/vestnik\/wp-content\/uploads\/2021\/01\/pdf.png\" \/><\/a> <strong>\u0421\u0442\u043e\u0440\u0456\u043d\u043a\u0438: 275-280. \u041d\u043e\u043c\u0435\u0440: \u21165, 2019 (277)<\/strong><br \/>\n<strong>\u0410\u0432\u0442\u043e\u0440\u0438: <\/strong><br \/>\n\u0420.\u0412. \u0425\u0418\u041d\u0415\u0412\u0418\u0427, \u0414.\u0404. \u0404\u0420\u041c\u041e\u041b\u0415\u041d\u041a\u041e, \u041e.\u041b. \u042f\u0412\u041e\u0420\u0421\u042c\u041a\u0418\u0419<br \/>\n\u041a\u0438\u0457\u0432\u0441\u044c\u043a\u0438\u0439 \u043d\u0430\u0446\u0456\u043e\u043d\u0430\u043b\u044c\u043d\u0438\u0439 \u0443\u043d\u0456\u0432\u0435\u0440\u0441\u0438\u0442\u0435\u0442 \u0442\u0435\u0445\u043d\u043e\u043b\u043e\u0433\u0456\u0439 \u0442\u0430 \u0434\u0438\u0437\u0430\u0439\u043d\u0443<br \/>\nR.V. KHYNEVYCH,\u00a0 D.\u0415. YERMOLENKO, O.L.YAVORSKIY<br \/>\nKyiv National University of Technologies and Design<br \/>\n<strong>DOI:<\/strong> <a href=\"https:\/\/www.doi.org\/10.31891\/2307-5732-2019-277-5-275-280\">https:\/\/www.doi.org\/10.31891\/2307-5732-2019-277-5-275-280<\/a><br \/>\n<strong>\u0420\u0435\u0446\u0435\u043d\u0437\u0456\u044f\/Peer review :<\/strong> 20.06.2019 \u0440.<br \/>\n<strong>\u041d\u0430\u0434\u0440\u0443\u043a\u043e\u0432\u0430\u043d\u0430\/Printed :<\/strong> 23.07.2019 \u0440.<\/p>\n<p style=\"text-align: center;\"><strong>\u0410\u043d\u043e\u0442\u0430\u0446\u0456\u044f \u043c\u043e\u0432\u043e\u044e \u043e\u0440\u0438\u0433\u0456\u043d\u0430\u043b\u0443<\/strong><\/p>\n<p>\u041d\u0430\u0434\u0430\u043d\u043e \u0440\u0435\u0437\u0443\u043b\u044c\u0442\u0430\u0442\u0438 \u0434\u043e\u0441\u043b\u0456\u0434\u0436\u0435\u043d\u043d\u044f \u0456\u0441\u043d\u0443\u044e\u0447\u0438\u0445 \u0432\u0456\u0437\u0443\u0430\u043b\u044c\u043d\u0438\u0445 \u043f\u043b\u0430\u0442\u0444\u043e\u0440\u043c. \u041c\u0435\u0442\u043e\u044e \u0441\u0442\u0430\u043b\u043e \u043f\u0440\u043e\u0432\u0435\u0434\u0435\u043d\u043d\u044f \u0430\u043d\u0430\u043b\u0456\u0437\u0443 \u0456 \u0441\u0438\u0441\u0442\u0435\u043c\u0430\u0442\u0438\u0437\u0430\u0446\u0456\u044f \u043c\u0435\u0442\u043e\u0434\u0456\u0432 \u0442\u0430 \u0442\u0435\u0445\u043d\u043e\u043b\u043e\u0433\u0456\u0439 \u043f\u0440\u043e\u0441\u0443\u0432\u0430\u043d\u043d\u044f \u0430\u0432\u0442\u043e\u0440\u0441\u044c\u043a\u043e\u0433\u043e \u0444\u043e\u0442\u043e\u043c\u0438\u0441\u0442\u0435\u0446\u0442\u0432\u0430 \u0432 Instagram. \u0412 \u0445\u043e\u0434\u0456 \u0434\u043e\u0441\u043b\u0456\u0434\u0436\u0435\u043d\u043d\u044f \u0432\u0438\u0437\u043d\u0430\u0447\u0435\u043d\u043e \u043f\u0440\u0438\u043d\u0446\u0438\u043f\u0438 SMM-\u043f\u0440\u043e\u0441\u0443\u0432\u0430\u043d\u043d\u044f. \u041d\u0430\u0432\u0435\u0434\u0435\u043d\u043e \u0445\u0430\u0440\u0430\u043a\u0442\u0435\u0440\u0438\u0441\u0442\u0438\u043a\u0443 \u0441\u0443\u0442\u043d\u043e\u0441\u0442\u0456 \u0442\u0430 \u043f\u043e\u0441\u043b\u0456\u0434\u043e\u0432\u043d\u0456\u0441\u0442\u044c \u043e\u043f\u0440\u0430\u0446\u044e\u0432\u0430\u043d\u043d\u044f \u0440\u0456\u0437\u043d\u0438\u0445 \u0432\u0438\u0434\u0456\u0432 \u0444\u043e\u0442\u043e\u0433\u0440\u0430\u0444\u0456\u0439 \u0432\u043b\u0430\u0441\u043d\u043e\u0433\u043e \u043f\u0440\u043e\u0444\u0456\u043b\u044e \u0432 \u0406nstagram.<br \/>\n<strong>\u041a\u043b\u044e\u0447\u043e\u0432\u0456 \u0441\u043b\u043e\u0432\u0430:<\/strong> \u0432\u0456\u0437\u0443\u0430\u043b\u044c\u043d\u0456 \u043f\u043b\u0430\u0442\u0444\u043e\u0440\u043c\u0438, SMM-\u043f\u0440\u043e\u0441\u0443\u0432\u0430\u043d\u043d\u044f, \u043a\u043e\u043d\u0442\u0435\u043d\u0442-\u043f\u043b\u0430\u043d, \u043f\u0440\u043e\u0444\u0456\u043b\u044c \u0432 \u0406nstagram.<\/p>\n<p style=\"text-align: center;\"><strong>\u0420\u043e\u0437\u0448\u0438\u0440\u0435\u043d\u0430 \u0430\u043d\u043e\u0442\u0430\u0446\u0456\u044f \u0430\u043d\u0433\u043b\u0456\u0439\u0441\u044c\u043a\u043e\u044e \u043c\u043e\u0432\u043e\u044e<\/strong><\/p>\n<p>The paper presents the results of existing types of image processing. The purpose was to analyse and systematize the post-processing methods and technologies in the context of modern visual platforms.\u00a0 In the course of the study, the principles of grouping images with the use of modern graphical software environments have been determined. The description of the essence and sequence of different processing photos kinds\u00a0 processing in visual platforms is given.\u00a0 During the study the following tasks were solved: generating general information about visual platforms; coverage of the promotion of photo art on visual platforms; promoting copyrighted photo art on Instagram; analysis of your own Instagram profile statistics. Every photographer, sooner or later, is faced with a situation where it is necessary to expand the circle of communication and seek new clients.\u00a0 This can happen for various reasons: getting started in a new genre, raising the cost of services, etc.\u00a0 Today, the easiest way to do this is through social networks, as millions of people use them and it can be free to move.\u00a0 SMM promotion is useful for this. The basics of a successful SMM are: first, a careful study of the social network audience is required (for example, if the optimizer spins a paintball club site, then the success of optimization will be very doubtful at the cross-stitch forum &#8211; however, it all depends on the optimizer&#8217;s talent); secondly, in large social networks like Facebook and Twitter, you need to choose your target audience.\u00a0 It does take a long time, but its costs are usually paid back not just by all interested parties, but only by interested parties;\u00a0 thirdly, according to experts, the greatest success is achieved by the optimizers, who spend their efforts not only on the optimization of their site, but also on the development of the resource in which they carry out SMM promotion. Based on the analysis of modern types of visual platforms, all the information that may be useful for a novice student who intends to present their portfolio and an experienced photographer looking for ways to expand their audience and their interest in photographic work has been selected and summarized.\u00a0 Further research will focus on analysing statistics on individual photographs, reviewing the coverage of individual publications, and identifying factors that contribute to the promotion of particular photographs.<br \/>\n<strong>Key words:<\/strong> visual platforms, SMM-promotion, content-plan, profile in Instagram.<\/p>\n<p style=\"text-align: center;\"><strong>References<\/strong><\/p>\n<ol>\n<li>Vizualna komunikatsiia [Elektronnyi resurs]. \u2013 Rezhym dostupu : https:\/\/uk.wikipedia.org\/ wiki\/Vizualna_komunikatsiia<\/li>\n<li>10 krashchykh saitiv dlia prosuvannia portfolio fotohrafa [Elektronnyi resurs]. \u2013 2017. \u2013 Rezhym dostupu : https:\/\/blog.depositphotos.com\/ru\/here-s-how-you-can-promote-your-photography-business-online.html<\/li>\n<li>Burns L. M. The 6 Best Social Platforms For Photographers [Elektronnyi resurs] \/ Lisa Michele Burns. \u2013 2017. \u2013 Rezhym dostupu : https:\/\/www.thewanderinglens.com\/6-best-social-platforms-photographers\/.<\/li>\n<li>Vashe portfolio v Instagram: 10 krashchykh saitiv dlia fotohrafiv [Elektronnyi resurs] \/\/ PRESSFOTO. \u2013 2014. \u2013 Rezhym dostupu : https:\/\/studio.everypixel.com\/ru\/blog\/10-photo-sharing-websites-for-photographers\/.<\/li>\n<li>SMM [Elektronnyi resurs]. \u2013 Rezhym dostupu : http:\/\/igroup.com.ua\/seo-articles\/smm\/.<\/li>\n<li>Yak prosunutys fotohrafu? Laifkhak [Elektronnyi resurs] \/\/ Futureinapps. \u2013 2018. \u2013 Rezhym dostupu : https:\/\/futureinapps.com\/ru\/blog\/smm-kak-prodvinutsya-fotografu-laifhak?pid=LDNuAvec0I.<\/li>\n<li>Haivoronska S. Shcho take Instahram i navishcho vin potriben? [Elektronnyi resurs] \/ Svitlana Haivoronska \/\/ Bloh Vasylyia Blynova. \u2013 2019. \u2013 Rezhym dostupu : https:\/\/iklife.ru\/socialnye-seti\/instagram\/chto-takoe-instagram-i-zachem-on-nuzhen.html.<\/li>\n<li>Shcho take Instahram i navishcho vin potriben? [Elektronnyi resurs]. \u2013 Rezhym dostupu : http:\/\/kak-bog.ru\/chto-takoe-instagram-i-zachem-nuzhen.<\/li>\n<li>Mazur A. Instagram alhorytm: 7 sposobiv otrymaty bilshe perehliadiv [Elektronnyi resurs] \/ Artem Mazur \/\/ Bloh Artema Mazura. \u2013 2018. \u2013 Rezhym dostupu : https:\/\/artemmazur.ru\/instagram\/instagram-algoritm-prosmotri.html.<\/li>\n<li>Iia Pfanshtil. Yak pratsiuie alhorytm Instagram: tse potribno znaty [Elektronnyi resurs] \/ Iia Pfanshtil \/\/ RUSABILITY. \u2013 2018. \u2013 Rezhym dostupu : https:\/\/rusability.ru\/internet-marketing\/kak-rabotaet-algoritm-instagram-v-2018-eto-nuzhno-znat\/.<\/li>\n<li>Prosuvannia v Instagram: 10 bezkoshtovnykh metodiv [Elektronnyi resurs]. \u2013 Rezhym dostupu : https:\/\/womenbz.ru\/articles\/Prodvizheniye-v-Instagram-Kak-eto-delat-bez-deneg\/.<\/li>\n<\/ol>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u0412\u0406\u0417\u0423\u0410\u041b\u042c\u041d\u0406 \u041f\u041b\u0410\u0422\u0424\u041e\u0420\u041c\u0418 \u042f\u041a \u0421\u041f\u041e\u0421\u0406\u0411 \u041f\u0420\u041e\u0421\u0423\u0412\u0410\u041d\u041d\u042f \u0412\u041b\u0410\u0421\u041d\u041e\u0407 \u0424\u041e\u0422\u041e\u0422\u0412\u041e\u0420\u0427\u041e\u0421\u0422\u0406 \u0422\u0410 \u0412\u0417\u0410\u0404\u041c\u041e\u0414\u0406\u0407 \u0417 \u0410\u0423\u0414\u0418\u0422\u041e\u0420\u0406\u0404\u042e VISUAL PLATFORMS AS A WAY OF PROMOTING YOUR OWN PHOTO-CREATIVITY AND INTERACTION WITH AUDIENCE \u0421\u0442\u043e\u0440\u0456\u043d\u043a\u0438: 275-280. \u041d\u043e\u043c\u0435\u0440: \u21165, 2019 (277) \u0410\u0432\u0442\u043e\u0440\u0438: \u0420.\u0412. \u0425\u0418\u041d\u0415\u0412\u0418\u0427, \u0414.\u0404. \u0404\u0420\u041c\u041e\u041b\u0415\u041d\u041a\u041e, \u041e.\u041b. \u042f\u0412\u041e\u0420\u0421\u042c\u041a\u0418\u0419 \u041a\u0438\u0457\u0432\u0441\u044c\u043a\u0438\u0439 \u043d\u0430\u0446\u0456\u043e\u043d\u0430\u043b\u044c\u043d\u0438\u0439 \u0443\u043d\u0456\u0432\u0435\u0440\u0441\u0438\u0442\u0435\u0442 \u0442\u0435\u0445\u043d\u043e\u043b\u043e\u0433\u0456\u0439 \u0442\u0430 \u0434\u0438\u0437\u0430\u0439\u043d\u0443 R.V. KHYNEVYCH,\u00a0 D.\u0415. YERMOLENKO, O.L.YAVORSKIY Kyiv National University of Technologies and [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[18],"tags":[],"_links":{"self":[{"href":"https:\/\/journals.khnu.km.ua\/vestnik\/index.php?rest_route=\/wp\/v2\/posts\/1701"}],"collection":[{"href":"https:\/\/journals.khnu.km.ua\/vestnik\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/journals.khnu.km.ua\/vestnik\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/journals.khnu.km.ua\/vestnik\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/journals.khnu.km.ua\/vestnik\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1701"}],"version-history":[{"count":3,"href":"https:\/\/journals.khnu.km.ua\/vestnik\/index.php?rest_route=\/wp\/v2\/posts\/1701\/revisions"}],"predecessor-version":[{"id":5924,"href":"https:\/\/journals.khnu.km.ua\/vestnik\/index.php?rest_route=\/wp\/v2\/posts\/1701\/revisions\/5924"}],"wp:attachment":[{"href":"https:\/\/journals.khnu.km.ua\/vestnik\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1701"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/journals.khnu.km.ua\/vestnik\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1701"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/journals.khnu.km.ua\/vestnik\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1701"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}