{"id":2235,"date":"2021-01-18T19:31:19","date_gmt":"2021-01-18T17:31:19","guid":{"rendered":"http:\/\/journals.khnu.km.ua\/vestnik\/?p=2235"},"modified":"2021-02-16T14:36:24","modified_gmt":"2021-02-16T12:36:24","slug":"%d0%b2%d0%b8%d0%ba%d0%be%d1%80%d0%b8%d1%81%d1%82%d0%b0%d0%bd%d0%bd%d1%8f-%d1%81%d1%83%d1%87%d0%b0%d1%81%d0%bd%d0%b8%d1%85-%d0%bc%d0%b5%d1%82%d0%be%d0%b4%d1%96%d0%b2-%d0%b2%d1%96%d0%b7%d1%83%d0%b0","status":"publish","type":"post","link":"https:\/\/journals.khnu.km.ua\/vestnik\/?p=2235","title":{"rendered":"\u0412\u0438\u043a\u043e\u0440\u0438\u0441\u0442\u0430\u043d\u043d\u044f \u0441\u0443\u0447\u0430\u0441\u043d\u0438\u0445 \u043c\u0435\u0442\u043e\u0434\u0456\u0432 \u0432\u0456\u0437\u0443\u0430\u043b\u044c\u043d\u043e\u0433\u043e \u0434\u0438\u0437\u0430\u0439\u043d\u0443 \u0442\u0430 \u043f\u0440\u043e\u0441\u0442\u043e\u0440\u043e\u0432\u043e\u0433\u043e \u043c\u043e\u0434\u0435\u043b\u044e\u0432\u0430\u043d\u043d\u044f \u0434\u043b\u044f \u0441\u0442\u0432\u043e\u0440\u0435\u043d\u043d\u044f \u0448\u043a\u0456\u0440\u0433\u0430\u043b\u0430\u043d\u0442\u0435\u0440\u0435\u0439\u043d\u0438\u0445 \u0432\u0438\u0440\u043e\u0431\u0456\u0432"},"content":{"rendered":"

<\/p>\n

\u0412\u0418\u041a\u041e\u0420\u0418\u0421\u0422\u0410\u041d\u041d\u042f \u0421\u0423\u0427\u0410\u0421\u041d\u0418\u0425 \u041c\u0415\u0422\u041e\u0414\u0406\u0412 \u0412\u0406\u0417\u0423\u0410\u041b\u042c\u041d\u041e\u0413\u041e \u0414\u0418\u0417\u0410\u0419\u041d\u0423 \u0422\u0410 \u041f\u0420\u041e\u0421\u0422\u041e\u0420\u041e\u0412\u041e\u0413\u041e \u041c\u041e\u0414\u0415\u041b\u042e\u0412\u0410\u041d\u041d\u042f \u0414\u041b\u042f \u0421\u0422\u0412\u041e\u0420\u0415\u041d\u041d\u042f \u0428\u041a\u0406\u0420\u0413\u0410\u041b\u0410\u041d\u0422\u0415\u0420\u0415\u0419\u041d\u0418\u0425 \u0412\u0418\u0420\u041e\u0411\u0406\u0412<\/p>\n

USE OF MODERN METHODS OF VISUAL DESIGN AND SPATIAL MODELING TO CREATE LEATHER GOODS<\/p>\n

 
\n<\/a>
\n\u0421\u0442\u043e\u0440\u0456\u043d\u043a\u0438: 199-204. \u041d\u043e\u043c\u0435\u0440: \u21164, 2020 (287)<\/strong><\/p>\n

\u0410\u0432\u0442\u043e\u0440\u0438:<\/strong>
\n\u0421.\u0404. \u041a\u0410\u041c\u0415\u041d\u0415\u0426\u042c, \u0412.\u0412. \u0412\u0410\u0421\u042e\u0422\u0418\u041d\u0421\u042c\u041a\u0410
\n\u041a\u0438\u0457\u0432\u0441\u044c\u043a\u0438\u0439 \u043d\u0430\u0446\u0456\u043e\u043d\u0430\u043b\u044c\u043d\u0438\u0439 \u0443\u043d\u0456\u0432\u0435\u0440\u0441\u0438\u0442\u0435\u0442 \u0442\u0435\u0445\u043d\u043e\u043b\u043e\u0433\u0456\u0439 \u0442\u0430 \u0434\u0438\u0437\u0430\u0439\u043d\u0443<\/p>\n

S.E. KAMENETS, V.V. VASIUTYNSKA
\nKyiv National University of Technology and Design<\/p>\n

 
\nDOI:<\/strong> https:\/\/www.doi.org\/10.31891\/2307-5732-2020-287-4-199-204<\/a><\/p>\n

 
\n\u0420\u0435\u0446\u0435\u043d\u0437\u0456\u044f\/Peer review :<\/strong> 07.09.2020 \u0440.
\n\u041d\u0430\u0434\u0440\u0443\u043a\u043e\u0432\u0430\u043d\u0430\/Printed : <\/strong>03.11.2020 \u0440.<\/p>\n

 <\/p>\n

\u0410\u043d\u043e\u0442\u0430\u0446\u0456\u044f \u043c\u043e\u0432\u043e\u044e \u043e\u0440\u0438\u0433\u0456\u043d\u0430\u043b\u0443<\/strong><\/p>\n

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\n\u041a\u043b\u044e\u0447\u043e\u0432\u0456 \u0441\u043b\u043e\u0432\u0430:<\/strong> 3D \u043c\u043e\u0434\u0435\u043b\u044e\u0432\u0430\u043d\u043d\u044f, \u0421\u0410\u041f\u0420, 3D \u0434\u0440\u0443\u043a, \u0448\u043a\u0456\u0440\u0433\u0430\u043b\u0430\u043d\u0442\u0435\u0440\u0435\u044f, \u0444\u043e\u0440\u043c\u043e\u0443\u0442\u0432\u043e\u0440\u0435\u043d\u043d\u044f, NURBS-\u043c\u043e\u0434\u0435\u043b\u044e\u0432\u0430\u043d\u043d\u044f.<\/p>\n

 <\/p>\n

\u0420\u043e\u0437\u0448\u0438\u0440\u0435\u043d\u0430 \u0430\u043d\u043e\u0442\u0430\u0446\u0456\u044f \u0430\u043d\u0433\u043b\u0456\u0439\u0441\u044c\u043a\u043e\u044e \u043c\u043e\u0432\u043e\u044e<\/strong><\/p>\n

\u00a0 \u00a0 \u00a0This article is about methods of spatial modelling and improvement of design systems in the production of leather products.\u00a0 The rapid development and change of fashion trends are becoming more and more challenging for the designer of leather goods, which require deep analysis and creative thinking.\u00a0 Classic design techniques are not enough to translate interesting product decisions, so it’s a good idea to include creative search and discover methods that are unusual for yourself and the industry.\u00a0 The purpose of the study was to find such a method and use it, as a result of which the fans of the creative presented a collection of bags “Architect of the soul”.\u00a0 The objects were developed in Rhino 6, based on NURBS modelling.\u00a0 Some product details were printed using a 3D printer.\u00a0 The use of modern spatial modelling systems has another advantage – the rapid and high-quality manufacturing of parts with complex geometric shapes on a 3D printer.\u00a0 For this purpose, various artificial materials are used, the most widely used being PLA (Polylactic acid – (C3H4O2) n) and ABS (acrylonitrile-butadiene-styrene – (C8H8 \u00b7 C4H6 \u00b7 C3H3N) n), which are used by volume-creating printers\u00a0 products – using the technology of layer-by-material build-up. Nowadays, when it is important to preserve the environment, the concept of “conscious fashion” is important – it is about the fate of the product after its expiration.\u00a0 Plastic such as thermoplastic resin (a type of polymer that softens when heated and can be re-melted or softened by heating. Its properties are not altered.), Can be recycled, which gives another advantage in\u00a0 production-oriented 3D models.\u00a0 Due to the fact that research and experiments were conducted in the short term, there is still a prospect of improving new methods.
\nKeywords<\/strong>: 3 designing, CAD, 3 printing, leather goods, shaping.<\/p>\n

 <\/p>\n

References<\/strong><\/p>\n

    \n
  1. Kompiuterne modeliuvannia system ta protsesiv. Metody obchyslen \/ za zah. red. Kvietnoho R.N. \u2013 Vinnytsia : VNTU, 2013. \u2013 235 s.<\/li>\n
  2. Vikipediia [Elektronnyi resurs]. \u2013 Rezhym dostupu : https:\/\/ru.wikipedia.org\/wiki\/Rhinoceros_3D<\/li>\n
  3. Kamenets C.Ie. Analiz suchasnykh system prostorovoho proektuvannia vzuttia \/ S.Ie. Kamenets, O.A. Koval \/\/ Zbirnyk materialiv II Mizhnarodnoi naukovoi konferentsii tekstylnykh ta feshn tekhnolohii KyivTex&Fashion (Kyiv, 1-2 lystopada 2018 r.). \u2013 Kyiv : KNUTD, 2018.<\/li>\n
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  6. Materialy dlya 3d-printera: PLA i ABS-plastik, a takzhe PVA-plastik i nejlon [Elektronnij resurs]. \u2013 Rezhim dostupu : https:\/\/koloro.ua\/blog\/3d-tekhnologii\/materialy-dlya-3d-printera-pla-i-abs-plastik-a-takzhe-pva-plastik-i-nejlon.html<\/li>\n
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